ELLIOTT SMITH: "OH WELL, OKAY"

Una breve exquisitez, especial para tocar "plaqué", e'cir, sin rasgar ni arpegiar, sino haciendo sonar todas las notas del acorde simultáneamente, enganchando las cuerdas, y marcando bien los bajos, que es algo que esta técnica permite hacer con toda prolijidad. Faaa, cómo explicás, Gorosito, ni que supieras!

|F#m/E| Here's the |F#m/Eb| silhouette, 
the |D| face always turned a- |A| way |E/G#|

|F#m/E| The bleeding |F#m/Eb|  
color gone to |D| black, dying like a |A| day |E/G#| 

......|F#| Couldn't figure |Bm| out what made you |Bm/A| so un- |G| happy

......Shook your |D| head to say |C| no, no, |Bm| no

......And |Bm/A| stopped for a |G| spell, and |D/F#| stayed that |E*| way

......Oh |F#| well, o- |Em| kay 

|F#m/E| I got |F#m/Eb| pictures 

I just |D| don't see it any- |A| more |E/G#|

|F#m/E| Climbing |F#m/Eb| hour 
upon |D| hour through a total |A| bore |E/G#| 

......|F#| With the one I |Bm| keep where it |Bm/A| never |G| fades

......In the |D| safety of a |C| pitch black |Bm| mind

......An |Bm/A| airless |G| cell that |D/F#| blocks the |E*| day 
......Oh |F#| well, o- 

Inter: |Em/D - Em/C# - C - G - D/F#] x 2 
                 -kay
  
............|E*| If you get a |Am| feeling, next |Am/G| time you |F| see me
 ...........Do me a |C| favor and |Bb| let me |Am| know
 ...........'cos it's |Am/G| hard to |F| tell, it's |C/E| hard to |D| say 
..................Oh |E| well, o - |D7| kay 
..................Oh |E| well, o - |D7| kay 
..................Oh |E| well, o - |D7| kay.

(El tono original es Sol menor. Tocar con transporte en 1)