XTC: "DEAR GOD"

Muchos bajos que no describiré porque entiendo que todo el mundo sabe dónde están las notas en el instrumento, caray. E5+/B es x22110

Intro: |Am - Am/F - Am/G - Am/F#| 

|Am| Dear God, |Am/F| hope you got the letter and |Am/G|
I pray |Am/F#| you can make it better down |C| here |C/G#|
I don't |C/D| mean a big |C/F#| reduction in the price of |C| beer,
|C/G#| But all the |C/D| people that you made in your i-|C/F#| mage,
See them |D| starving on their |D/C| feet,
'Cause they |Bb| don't get enough to |E7| eat
From |Am| God, |Am/F - Am/G|
I |Am/F#| can't believe in |Am| you |Am/F - Am/G - Am/F#|

|Am| Dear God, |Am/F| sorry to disturb you but |Am/G|
I feel |Am/F#| that I should be heard loud and |C| clear |C/G#|
We all |C/D| need a big re-|C/F#| duction in amount of |C| tears,  
|C/G#| And all the |C/D| people that you made in your i-|C/F#| mage,
See them |D| fighting in the |D/C| street,
'Cause they |Bb| can't make opinions |E7| meet,
About |Am| God, |Am/F - Am/G|
I |Am/F#| can't believe in |Am| you |Am/F - Am/G - Am/F#|

......|Fmaj7| Did you make disease, and the |C| diamond |G| blue?
......|Fmaj7| Did you make mankind after |Em| we made
......|Em/D| you? |Em/C# - Em/C - E5+/B - E| - |Am - Am/F - Am/G| 
......|Am/F#| And the devil |Am| too! |Am/F - Am/G - Am/F#| 


Instr: |C - C/G# - C/D - C/F#| x 2 - |D - D/C - Bb - E7| 

|Am| Dear God, |Am/F| don't know if you noticed but |Am/G|
your name is |Am/F#| on a lot of quotes in this |C| book |C/G#|
And us |C/D| crazy humans |C/F#| wrote it, you should take a |C| look |C/G#|
And all the |C/D| people that you made in your i-|C/F#| mage,
Still be-|D| lieving that junk is |D/C| true.
Well I |Bb| know it ain't and so do |E7| you,

Dear |Am| God, |Am/F - Am/G|
I |Am/F#| can't believe in |Am - Am/F - Am/G|
I |Am/F#| don't believe in |Am - Am/F - Am/G|

......I |Dm| won't believe in heaven and hell,
......no |Bb| saints, no sinners, no Devil as well
......No |Dm| pearly gates, no thorny crown.
......You're |Bb| always letting us humans down.
......The |G| wars you bring, the babes you drown.
......Those |Bb| lost at sea and never found,
......And |Dm| it's the same the whole world 'round.
......The |Bb| hurt I see helps to compound,
......that |G| Father, Son and Holy Ghost,
......Is |Bb| just somebody's unholy hoax,
......And |Dm| if you're up there you'll perceive,
......That |Bb| my heart's here upon my sleeve.
......If |G| there's one thing I don't believe in... |A7|

It's |D2| you |D2/Bb - D2/C - D2/F - D2/G - D2/E|
Dear |D| God.

XTC: "THEN SHE APPEARED"

Tono original respetado.



Intro: |D - G - A| x 10 

|D| Then she ap-|G - A - D| peared
Apple |G| venus |A| on a |D| half open |G| shell |A - D| - |G - A| 
|D| Then she ap-|G - A - D| peared
The first |G| photo-|A| graph on |D| Fox Talbots |G| gel |A - D|

I |G| was |A| a... |F#| little frightened
|G| Flying |D/F#| with my |E7| senses |A7| heightened

......|D| Cherubim |G - A - D| cheered
......Then |G| she |A| ap-|D| peared |G - A - D| - |G - A|

|D| Then she ap-|G - A - D| peared
As the |G| giggling |A| crew of |D| Marie Ce-|G| leste |A - D| - |G - A| 
|D| Then she ap-|G - A - D| peared
Pale A-|G| tlantis |A| rising |D| out of the |G| west |A - D|

I |G| was |A| a... |F#| little dazzled
|G| Catherine |D/F#| wheeled and |E7| senses |A7| frazzled

......|D| Know it sounds |G - A - D| weird
......Then |G| she |A| ap-|D| peared |G - A - D| - |D/C# - D/B|

............|A| And the sun which formally shone
............In the |B| clearest |B/A| summer |E/G#| sky |B7/F#|
............|E| Suddenly just changed address
............Now |A4| shines |A| from |A2| her |A| blue

Instr: |D - G - A| x 4 
..........eyes

|D| Then she ap-|G - A - D| peared
Brittle |G| shooting |A| star that |D| dropped in my |G| lap |A - D| - |G - A| 
|D| Then she ap-|G - A - D| peared
Dressed in |G| trico- |A| lour and |D| phrygian |G| cap |A - D| 

I |G| was |A| a... |F#| little troubled
|G| Hookah |D/F#| with my |E7| senses |A7| bubbled

......|D| Al Edward |G - A - D| leared
......Then |G| she |A| ap-|D| peared |G - A - D| - |D/C# - D/B|

............|A| And the moon which formally shone
............In the |B| marbled |B/A| midnight |E/G#| mile |B7/F#|
............|E| Suddenly just packed its bags
............Now |A4| shines |A| from |A2| her |A| bright

Instr: |D - G - A| x 4 
..........smile

|D| Then she ap-|G - A - D| peared |G - A - D| 
|G| Out of |A| no-|D| where |G - A| 
|D| Then she ap-|G - A - D| peared |G - A - D| 
|G| Out of |A| no-|D| where |G - A| 
|D| Then she ap-|G - A - D| peared |G - A - D| 
|G| Out of |A| no-|D| where |G - A - D|

XTC: "THE SMARTEST MONKEYS"

No del todo fácil de guitarrear, pero hay que intentarlo, porque es una gloria. A veces diría yo, si me apuran, que el "E" del estribillo es también Amaj7. No sé, fijensé. 



Intro: |C# - C#maj7 - A - Amaj7| x 4

Well |C#| man cre-|C#maj7| ated the
|A| cardboard |Amaj7| box to sleep  
|C#| in it |C#maj7 - A - Amaj7|

And |C#| man con-|C#maj7| verted the  
|A| newspa-|Amaj7| per to a |
C#| blanket |C#maj7 - A - Amaj7|

Well you |F#maj7| have to admit that he's |Emaj7| come a long way
Since |Em7| swinging about in the |Dmaj7| trees

......We're the |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| evidence is |Dmaj7| all around
......Our |E| brains are bigger |Bmaj7| this we've found
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|

Well |C#| man dis-|C#maj7| covered the  
|A| park bench can |Amaj7| make a
tran-|C#| sition |C#maj7 - A - Amaj7|

And the |C#| rubbish |C#maj7| tip makes a
|A| valid |Amaj7| form of
nu-|C#| trition |C#maj7 - A - Amaj7|

With dis-|F#maj7| coveries like these civili-|Emaj7| sation agrees
To |Em7| give itself a pat on the |Dmaj7| back 

......We're the |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| evolution's |Dmaj7| plain to see
......We're the |E| dominant of the |Bmaj7| species
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|

Instr: |C#m - C#2| x 2 - |C#7 - B7| x 2 

Solo: |C# - C#maj7 - A - Amaj7| x 4

......We're the |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7| 

|C#| We brought the |C#maj7| caveman from the  
|A| Stoneage to the |Amaj7| subways of the  
|C#| modern world |C#maj7 - A - Amaj7| 

|C#| How they |C#maj7| pack so many
|A| in, quick call the |Amaj7| Guinness Book of
|C#| Records |C#maj7 - A - Amaj7| 

Well you |F#maj7| have to admit that he's |Emaj7| come a long way
Since |Em7| swinging about in the |Dmaj7| trees

......We're the |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| evidence is |Dmaj7| all around
......Our |E| brains are bigger |Bmaj7| this we've found
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7| 

......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|
......The |Gmaj7| evolution's |Dmaj7| plain to see
......We're the |E| dominant of the |Bmaj7| species
......The |Gmaj7| smartest |Dmaj7| monkeys |E - Bmaj7|

Final: |Gmaj7 - Dmaj7 - E - Bmaj7| rep. y desaparece