CROWDED HOUSE: "POUR LE MONDE"

De las más recientes maravillas de Mr. Finn. Original en Dm.



Intro: |Am - F - C| x 2 

|Am| He i-|F| magines the |C| world
|Am| As the |F| angel as-|C| cending
|Em| Like the ghost of a |Am| man
Who is |G| tied up to the |F| chair |Dm|

|Am| And he |F| tries to be-|C| lieve
|Am| That his |F| life has a |C| meaning
|Em| With his hand on his |Am| heart
Pour le |G| monde, pas pour la |F| guerre |Dm|

|Am| And I |F| wake up |C| blind
|Am| Like my |F| dreams were too |C| bright
|Em| And I lost my re-|Am| gard
For the |G| good things that I |F| had |Dm|
And the |G| radio was |F| sad |Dm|
When you |F| listen for |G| good

......In a |C| hope that comes to |Bb| nothing
......‘Cos the |F| liars have moved |G| in
......And they be-|C| lieve their own dark |Bb| medicine

|Am| They act so |F| noncha-|C| lant
|Am| But he is |F| not a |C| dog
|Em| Perform for you in the |Am| stadium
For the |G| world, not for the |F| war |Dm|

|Am| And he |F| won't hesi-|C| tate
|Am| Though it |F| might lead to |C| heartache
|Em| In the night club |Am| Indigo
For the |G| world, not for the |F| war |Dm|
Pour le |G| monde, pas pour la |F| guerre |Dm|
When you |F| listen for |G| good

......In a |C| hope that comes to |Bb| nothing 
......‘Cos the |F| liars have moved |G| in
......And they be-|C| lieve their own dark |Bb| medicine
......Be-|F| lieving it's |G| good
......Behind their |C| jaded eyes, a di-|Bb| lemma

|Am| He's the |F| best you |C| ever |D| had
|Am| He's so |F| low, you'll |C| never |D| know
|Am| He's so |F| low, you'll |C| never |D| know
|Am| He's so |F| low, you'll |C| never |D| know |Am - F - C - D|
|Am| He's so |F| low, you'll |C| never |D| know

|Am| He's so |F| low |D|

Final: |Am - D| x 3 - |Am - F - D|

CROWDED HOUSE: "NOBODY WANTS TO"

Original en C#. Afinar un semitono abajo. D5 es xx0235.



Intro: |D5 - D4 - D - D4| x 4 

|D| Down on the ocean floor |Bm| that's where I'm heading for
|D| Hold on to a sinkin' stone |Bm| until the worst is known

......|Em| Nobody |D| wants to |Bm| |A| think about it
......|Em| Nobody |D| wants to |Bm| |A| talk about it
......|Em| Nobody |D| protects you |Bm|

|D| They make it go away |Bm| pretending that it's all okay
|D| Broken pieces on the ground |Bm| and everyone’s still turning 'round

......|Em| Nobody |D| wants to |Bm| |A| think about it
......|Em| Nobody |D| wants to |Bm| |A| talk about it
......|Em| No one |D| protects you |Bm|
......Ye-|D| ah |D4 - D| x 3

...........Are we losing some-|Em| thing, we used to |D| cry
...........|F#m| We used to |Gmaj7| say why
...........|Em|.For all I |D| know
...........|F#m| I might not |Gmaj7| get home
...........|Em| Well, I found |D| out
...........If we |F#m| opened it up, we could |Gmaj7| work this out

......|Em| Nobody |D| wants to |Bm| |A| think about it
......|Em| Nobody |D| wants to |Bm| |A| talk about it 

......|Em| Now, what do you sus-|D| pected all a-|A| long
......|Em| Everything they |D| told you was |A| wrong
......|Em| And you can |D| see it if you |A| want
......|Em| But nobody |D/F#| wants to--|G - A - Bm|--o

Inter: |Bm - F#m| x 2 - |Em - A| x 2

Final: |Bm - F#m - Bm - F#m --- Em - F#m - Em - A| x 3
Final: |Bm - F#m - Bm - F#m --- Em - F#m - G - A - D|

CROWDED HOUSE: "ELEPHANTS"

Tono original respetado. 



Intro: |G (juega con G9 y G7)|

It's the |G| closing hour, I don't wanna |C| go
But I could stay a-|G| float in |F| your |G| eyes
I've |G| seen the rocks where everyone gets |C| lost
I won't stray a-|G| cross the |F| white |G| line

......|Dm| Let's admit the |C| world don't turn a-|G| round us
......It's |Dm| acting like |C| we don't e-|G| xist
......A |Dm| drunk that's |C| sleeping in the |G| corner
......Sweet |Dm| dreams, make |C| waves, find |G| bliss |G|

|G| Elephants come down to the |G7| water hole at |C| dusk
They feel the same as |G| us a-|F| bout |G| life
We |G| all take a drink, the |G7| sun begins to |C| sink
The alligator |G| waits for |F| his |G| time 

......|Dm| Let's admit the |C| world don't turn a-|G| round us
......It's |Dm| acting like |C| we don't e-|G| xist
......A |Dm| drunk that's |C| sleeping in the |G| corner
......Sweet |Dm| dreams, make |C| waves, find |G| bliss

Instr: |G - G7 - C - G - F - G| x 2 

............|E| You don't have to say a |A| word
............|E| You don't have to say a |A| word
............I |E| hear what you're |D| thinking

............|E| You don't have to say a |A| word
............|E| You don't have to say a |A| word
............I |E| know what you're |D| thinking

I |G| know there's no use, so |G7| lost and discon-|C| tent
I'm looking for a |G| friend I |F| can |G| trust
For |G| all my intent, it |G7| hasn't happened |C| yet
So now I come to |G| you for |F| in-|G| sight

......|Dm| Let's admit the |C| world don't care a-|G| bout us
......It's |Dm| acting like |C| we don't e-|G| xist
......|Dm| Drunk and |C| sleeping in the |G| corner
......Sweet |Dm| dreams, make |C| waves, find |G| bliss
......Sweet |Dm| dreams, make |C| waves, find |G| bliss

CROWDED HOUSE: "FALL AT YOUR FEET"

Ya que estamos, copiamos, pegamos, cambiamos un par de cosas y tenemos la original. Que está en Cm, así que esto se toca con transporte en 3 para igualar, o en donde uno quiera de acuerdo a sus capacidades vocales.



Intro: |Am - Em/B - Am - Em| x 3

I'm really close to-|Am| night |C|
and I feel like I'm |Bm| moving inside her |E|
Lying in the |Am| dark |C|
and I think that I'm |Bm| beginning to |E| know her, let it |Am| go
|C| I'll be there when you |F| call

......And whenever I |C| fall |G| at your |Am| feet |F|
......You let your |C| tears |G| rain down on |Am| me |F|
......Whenever I |C| touch |G| your slow turning |Am| pain |F|

You're hiding from me |Am| now |C|
There's something in the |Bm| way that you're talking |E|
The words don't sound |Am| right |C|
But I hear them all |Bm| moving in-|E| side you, |Am| go
|C| I'll be waiting when you |F| call

......And whenever I |C| fall |G| at your |Am| feet |F|
......You let your |C| tears |G| rain down on |Am| me |F|
......Whenever I |C| touch |G| your slow turning |Am| pain |F| 

......The finger of |C| blame has turned u-|G| pon itself
......And I'm |Am| more than willing to |F| offer myself
......Do you |C| want my presence or |G| need my help
......|Am| Who knows where that might |F| leadd

Instr: |C - G - Am - F| x 2
..........I fall

......Whenever I |C| fall |G| at your |Am| feet |F|
......You let your |C| tears |G| rain down on |Am| me |F|
......Whenever I |C| fall, |G| ... whenever I |Am| fall |F - F - C|

CROWDED HOUSE: "ENGLISH TREES"

Belleza de Time on Earth, bajada un semitono. Por |Am*| debe entenderse la secuencia |Am(5) - A4 - Am(3) - A2|. Lo mismo con |Em*| que sería |Em7 - Em 6-  Em(5)|. Am7+ es, como seguramente nadie ignora, x02110.

Intro: |C/G - G - C|

|G| English trees in my |C| garden

We |G| planted seeds in a |C| faraway land   

|Am| In between the |D7/F#| palms and the  

|C| succulent |Am| grove |Am*| x 2

They |G| lose their leaves in the |C| winter

|G| Mark the seasons for |C| him and for her

|Am| Once upon a |D7/F#| time in the

|C| fallen |Am| snow |Am*|

|Am| Up against the |D7/F#| sky made a

|C| silhouette |Em| show |Em*| x 2

England cries and she |C| plays for him

Two |G| chords entwined like a |C| requiem

Al-|Am| though it’s |D7/F#| springtime,

and |C| colour is |Am| new |Am*|

In |Am| Regent’s |D7/F#| Park, I will |C| mourn for |Em| you

......And I |G| must be |D/F#| wise some-|Em| how

......‘Cause my |G| heart’s been |D/F#| broken |C| down

............|Am| It’s so far to |Am7+| fall 

............|Fm| and so hard to |C| climb

............|Am| Nothing’s sadder, I |Am7+| know

............|Cm| Than the passing of |G| time 

Inter: |Dm - G/B - F - Dm| - |Dm - G/B - F - C|

............|F| You won’t forget me |C|

............|F| You won’t forget me

|C| English trees in my |F| garden

|C| Summer’s missed you, my |F| darling

And |C| all your crimes are for-|F| given

Yeah, |C| all your crimes are for-|F| given

......And I |Am| must be |Em| wise some-|Am| how |C|

............|F| You won’t forget me |C|

............|F| You won’t forget me

And |G| England cries |C|

|G| Oh oh oh |C| oh  

|G| Oh oh oh |C| oh

these |G| english trees in my |C| garden 

CROWDED HOUSE: "FINGERS OF LOVE"

Cancionaza, fácil y placentera. Original en Gm. Bm11 es x 24430.

Intro: |Em - D6| x 2  

|Em| Can you imagine this? An |D6| itch too sensitive to scratch

The |Em| light that falls through the cracks... an |D6| insect too delicate to catch

......I |G| hear the endless murmur, every |D| blade of grass 

......that shivers in the |A7| breeze

......And the |G| sound that comes to carry me a-|D| cross the land 

......and over the |A7| sea

............And I can't look |C| up, |D| fingers of love move |Em| down

............And I can't look |C| back, |D| fingers of love move |A| down

|Em| Colour is its own reward, |D6| colour is its own reward

The |Em| chiming of perfect chord, |D6| let's go jumping overboard

......Into |G| waves of joy and clarity your |D| hands come out to rescue |A7| me

......And I'm |G| playing in the sallow water |D| laughing

......while the mad dog |A7| sleeps

............And I can't look |C| up, |D| fingers of love move |Em| down

............And I can't look |C| back, |D| fingers of love move |A| everywhere

............And there is time |C| yet, |D| fall by the way

............From the |A| cradle to the grave, from a palace to the gutter

............Be-|A| neath the dying waves of the sun lie fingers of...

Inter: |Em - Bm11| 

         ...love

......Through |G| waves of joy and clarity a |D| fallen angel walked on the |A7| sea

......And I'm |G| playing in the sallow water |D| laughing

......while the mad dog |A7| sleeps

............And I can't look |C| up, |D| fingers of love move |Em| down

............And I can't look |C| back, |D| fingers of love move |A| everywhere

............And there is time |C| yet, |D| for you to find me |Em|

............And all I |C| want, |D| fingers of love move |Em| down

CROWDED HOUSE: "AMSTERDAM"

Para Chiquito y toda la barra neocelandesa, seguidora de la primera hora. Está bajada un tono. El punteadito se puede reemplazar por el acorde Ebdim, aunque no es lo mismo, claro.

|NC| You and me got the whole day off
Take a trip to Vincent Van Gogh
But the line went halway round the |Tab| block 

|F#m| And we're looking for a |C#m| place to rest
|F#m| Every seat in every |A| bar was set
|F#m| So we turned back |C#m| to the Grand Ho-|Tab| tel 

......And the |Am| rain came |G6| hard
......A million |G6| people on a protest |F#| march
......Every |Am| choice, every |G6| path was mis-|Bsus4| taken |B| 

|F#m| You and me got the |C#m| whole thing sussed
|F#m| Gray man is |A| shadowing us
|F#m| Wild cons-|C#m| piracies turn to |Tab| dust 

|F#m| Hear the sound of ca-|C#m| thedral bells
|F#m| Cash ringing at the |A| gates of Hell
|F#m| And fairground |C#m| hooligans push and |A| swell |C| 

............They're the darkest |Em| days of a free |B7| man
............Lying in the |D| streets of Amster-|A| dam
............Nearly fell |D| underneath the |A| tram, but I picked myself |E| up 

............Every temp- |Em| tation and de-|B7| vice,
............All the |D| diamonds and the |A| spice
............I would give |D| anything for the |A| sight of an honest |E| man (hey) 

Instr: |F#m - C#m - F#m - A - F#m - C#m - Ebdim| 

|F#m| Eyes swim in |C#m| emptiness
|F#m| I was looking at a |A| hotel guest
|F#m| He blew me a |C#m| big sarcastic |A| kiss |Asus2|

......And the |Am| Lord walked |G6| in 
......with a |G6| monocle and lips so |F#| thin
......Saw the |Am| barmen |G6| wink as he poured his |Bsus4| brandy |B|  

............They're the darkest |Em| days of a free |B7| man
............Lying in the |D| streets of Amster-|A| dam
............Nearly fell |D| underneath the |A| tram, but I picked myself |E| up 

............Every temp- |Em| tation up in |B7| lights,
............All the |D| diamonds and the |A| spice
............Could take |D| profit from the |A| vice of another |E| man |G6 - F#m7 - F#m7| 

|E - G6| Amster-|F#m7| dam |F#m7|
|E| Cold, |G6| cold |F#m7| ... cold, |F#m7| cold
|E| You be-|G6| long |F#m7 - F#m7 - E|

CROWDED HOUSE: "EVEN IF"

¿La mejor del nuevo disco? Muy posiblemente. Yo estaba casi seguro de que era Amsterdam, pero Chiquito me llamó la atención sobre ésta, y lo bien que hizo. Al final no había acordes "raros" como se suponía, sino una sucesión rara, que no es exactamente lo mismo. El original está en F#, como se puede ver en la siguiente versión en vivo en la que Neil toca todo esto mismo con transporte en 2:

Intro: |E - Am - Am - E|

|E| Even though I |Am| know you’re wrong, |Am| I can never |E| win 

|E| Disappointment |Am| I must bear, |Am| underneath my |E| grin

......In the |Bm| darkness |A| from the stage, the |E| sting in my tail

......Ho-|Bm| rizons |A| rise and fall, |F| shadows grow so |B7| pale

|E| Creatures that come |Am| out to play go |Am| home to stay the |E| night

|E| Things I got so |Am| worried about are |Am| working out just |E| fine

......Don’t re-|Bm| member |A| in the end, it’s |E| useless to dwell

......And |Bm| nothing good is |A| true unless you |F| find out for your-|B7| self

............|G#m| Old men, be |A| warned, he |D| can’t be |G| helped

............Like |G#m| those who went be-|A| fore, you |D| can’t be |G| helped

............|G#m| It’s not your |A| fault, it |D| can’t be |G| helped

............|G#m| Young men |G#m|

Their i-|E| magination |Am| knows no bounds, as |Am| far as I can |E| see

|E| There’s a love that |Am| can’t be found un-|Am| til you let it |E| free

......In the |Bm| spotlight |A| on the stage, the |E| sting in my tail

......Ho-|Bm| rizons |A| rise and fall, |F| shadows grow so |B7| pale

............|G#m| Old men, be |A| warned, he |D| can’t be |G| helped

............|G#m| Those who went be-|A| fore, you |D| can’t be |G| helped

............|G#m| It’s not your |A| fault, it |D| can’t be |G| helped

............|G#m| Old men |G#m|

Inter: |E - Am - Am - E| x 2 - |Em7 - Asus4|

But |E| even though I |Am| know you’re wrong, |Am| I can never |E| win 

|E| Everyone’s son thinks |Am| he’s the best, they |Am| make it all up a-|E| gain

CROWDED HOUSE: "TWICE IF YOU'RE LUCKY"

Del flamante "Intriguer". Sencillita y crowdedhousera al mango. Está bajada un tono, igualar con transporte en 2.

Intro: Tab.

|D| Breathe it out |G| I can hear you now

You think reality’s |F#m| shut you down

|D| And you’re locked away |G| where you can’t get out

Spent awhile on your |F#m| back

|D| But you know what it means to me, |G| babe

In the course of a history, hey, it all makes sense to me |F#m| somehow

|D| And it’s not what it used to be, no 

|G| We’re suddenly free to let go and look what’s happening |A| now

......You will love this one, you will love this |D| one

......As if we |G| create something magical, |A| honey

......There are times that come, these are times that |D| come

......Only once in your |G| life, or twice like |D| mine

Do you wish to love, |G| can you give enough

Use your saving |F#m| graces

|D| In the heavy light |G| ‘til the sky falls down

He can pray all he |F#m| likes

|D| But you know what it means to me, |G| babe

In the course of a history, hey, it all makes sense to me |F#m| somehow

|D| It’s a course in philosophy, yeah 

|G| What is life is it just a dream, no, a perfect mystery but |F#m| somehow I know

......|A| You will love this one, you will love this |D| one

......As if we |G| create something magical, |A| honey

......There are times that come, these are times that |D| come

......Only once in your |G| life, or twice if you're |A| lucky |A|

............And |F#m| if the chance it comes around a-|D| nother time

............You |F#m| risk it all, you take the fall for |D| what you like

............And |F#m| sure enough before your love has |D| taken flight

............You |F#m| make the revelation

......|D| You will love this |A| one |A - D - G|

......|A| You will love this one, you will love this |D| one

......This dream in my |G| head, something magical, |A| honey

......There are times that come, these are times that |D| come

......Only once in your |G| life, or twice if you're |A| lucky |G|