DIVINE COMEDY: "SONGS OF LOVE"

El tono original es C, se toca con capo en 3, igual que lo hace el propio Hannon en el video a continuación.



|A| Pale pubescent |D| beasts
roam through the |E| streets and coffee-|F#m| shops
Their |Bm7| prey gather in |D| herds
with stiff knee-length |C9| skirts and white ankle-|Bb| socks

But |A| while they search for a |D| mate
my type hiber-|E| nates in bedrooms a-|F#m| bove
Com-|B7| posing their |D| songs |E7sus4| ... of |A| love

|A| Young, uniform |D| minds
in uniform |E| lines and uniform |F#m| ties
Run |Bm7| round with trousers on |D| fire
and signs of de-|C9| sire they cannot dis-|Bb| guise

While |A| I try to find |D| words
as light as the |E| birds that circle a-|F#m| bove
To |B7| put in my |D| songs |E7sus4| ... of |A| love

......|F| Fate doesn't |Dm6| hang on a |A| wrong or right |F#m| choice
......|F| Fortune de-|Dm6| pends on the |A| tone of your |E| voice

So |A| sing while you have |D| time
Let the sun |E| shine down from a-|F#m| bove
And |B7| fill you with |D| songs |E7sus4| ... of |A| love 

Instr: |A - D - E - F#m| - |Bm7 - D - C9 - Bb7|
Instr: |A - D - E - F#m| - |B7 - D - E7sus4 - A|

......|F| Fate doesn't |Dm6| hang on a |A| wrong or right |F#m| choice
......|F| Fortune de-|Dm6| pends on the |A| tone of your |E| voice

So let's |A| sing while we still |D| can
While the sun |E| hangs high up a-|F#m| bove
|B7| Wonderful |D songs |E7| ... of |F#m| love
|B7| Beautiful |D| songs |E| of |A| love

GARCÍA / AZNAR: "DIANA"

Pedida por Eduardo Vilte.

Intro: |Tab.| - |E - E4 - E - E4 - E - D2|

|E| Diana |E4| na-|E| ció sin bien-|E4| ve-|E| nidas en la ciu-|D2| dad 
|E| Diana |E4| ju-|E| gó a las es-|E4| con-|E| didas por no llo-|D2| rar
|E| Nadie |E4| lo-|E| gró poner-|E4| le |E| fin a su liber-|D2| tad.

......|B11/A| Diana de nada nunca ten-|G6/A| drás
......|B11/A| Nada de Diana por bus-|G6/A| car
......|B11/A| Nada de más

Inter: |Tab.|

|E| Ella en-|E4| con-|E| traba almas |E4| dor-|E| midas al desper-|D2| tar
|E| Cada |E4| ma-|E| ñana una nue-|E4| va |E| calle, un nuevo lu-|D2| gar
|E| Como |E4| los |E| gatos: nue-|E4| ve |E| vidas, ningún ho-|D2| gar

......|B11/A| Diana de nada nunca ten-|G6/A| drás
......|B11/A| Nada de Diana por bus-|G6/A| car
......|B11/A| Nada de más

......|E| Aaa---|G|---aah
......|E| Ooo---|G|---oo---|A2|--oh

............|G#m7| Alguien en-|F#m7| tró en la oscuri-|Emaj7| dad
............|Eb7sus4| y la |Eb7| vió bri-|G#m7| llar
............|C#7| y la oyó can-|Bm7| tar
............|E| esa melo-|Dmaj7| día de a-|E| mor (como el viento)
............|Dm7| como una |G| flor (como el tiempo)
............|Fm7| bajo el dis-|Ebmaj7| fraz,
............la eterni-|D4| dad |D| 

Inter: |Tab.|

|E| Diana nació como escondida en ningún lu-|D2| gar
|E| Diana jugó sin bienvenidas a la liber-|D2| tad
|E| Nadie logró ponerle trampas en la ciu-|D2| dad

|E| Ella en-|E4| con-|E| traba nue-|E4| vas |E| calles, ningún ho-|D2| gar
|E| Cada |E4| ma-|E| ñana almas |E4| dor-|E| midas al desper-|D2| tar.
|E| Como |E4| los |E| gatos: nue-|E4| ve |E| vidas, por no llo-|D2| rar

Final: |G#m - F#m - G#m - F#m - G#m - F#m - D2| x 3 - |G#m - D2|

GENESIS: "BURNING ROPE"

Para la barra genesista. Sale, eh. Cuestión de llevarla con paciencia, no es tan difícil.

Intro 1
|Dm - G - Bb/G# - Bb7| - |C# - G#m/C#| x 2
|Cm - G - Em - Em|
|C#m - Cm - Bm - Bbm - Am| - |G#m - Bb| x 2 - |G# - Bb| x 2

Intro 2
|D - D6 - G/D - A/D - Dm - G/D - C/D - Dm7| x 2
|Dm - Gm/D - C - F - Bb- A|

|D| The warming |D6| sun, the |G/D| cooling |A/D| rain
|Dm| The snowflake |G/D| drifting on the |C/D| breath of the |Dm7| breeze
|D| The lightning |D6| bolt that frees the |G/D| sky for |A/D| you
|Dm| Yet only |G/D| eagles seem to |C/D| pass on |Dm7| through
|Dm| The words of |Gm/D| love, the |C| cries of |F| hate
|Bb| And the |A| man in the |Bb| moon who se-|F| duced you
Then |Bb| finally |F| loosed you |Dm - G| 

......You |C| climbed upon a |G| burning rope to es-|C| cape the mob be-|Em| low 

......But |C| you had put the |G| flaming out so that |A2| others could not follow 

......To be out of the |E| bounds and the |A2| barks 

......of |C#m| those who do not |A2| wish you well 

......|B2| You must blaze a trail of your |Gmaj7| own, 

......un-|Cmaj7| known, a-|Gmaj7| lone 

......But |G| keep |Dm7| in |G| mind 

......|G| Don’t |Dm7| live |G| to-|Em| day for tomorrow, 
......like |Em|you were immortal 

......The |A7| only survivors on this world of ours are 

|D| The warming |D6| sun, the |G/D| cooling |A/D| rain
|Dm| The snowflake |G/D| drifting on the |C/D| breath of the |Dm7| breeze
|D| The lightning |D6| bolt that frees the |G/D| sky for |A/D| you
|Dm| Yet only |G/D| eagles seem to |C/D| pass on |Dm7| through
|Dm| The words of |Gm/D| love, the |C| cries of |F| hate
|Bb| And the |A| man in the |Bb| moon who se-|F| duced you
Then |Bb| finally |F| loosed you

 
Instr
|Dm - G - Bb/G# - Bb7| - |C# - G#m/C#| x 2
|F#m - G#m| x 2 - |A - Bbm - B2|
|Ebm - F#| x 2 - |Bbm7 - C#m --- F#|
|F#m - G#m| x 2 - |A - B2|

Instr
|C#m - G#m - Ebm - B| x 2 - |Eb7 - G#m - F#m| 
|C#m - G#m - Ebm - B| x 2 - |Eb7 - G#m - F#m| - |C#m|

|F#m - G#m - A - B - C# - Fm - F# - C#|
|G#/Eb - Fm| x 2
|F# - Bbm - B7sus2|

|Dm7 - C6 - Bb2 - G2 - D2/G - D2| 

......You’re |C| old and disil-|G| lusioned now as you |C| realise at |Em| last
......That |C| all you have ac-|G| complished here 
......will have |A2| soon all turned to dust
......You dream of a |E| future after |A2| life, 
......well |C#m| that’s a maybe, |A2| I don’t know

......But |B2| you can’t take what you left be-|Gmaj7| hind,
......You’re |Cmaj7| all a-|Gmaj7| lone
......So |G| keep |Dm7| in |G| mind
......|G| Don’t |Dm7| live |G| to-|Em| day for tomorrow, 
......like |Em| you were immortal
......The |A7| only survivors on this world our ours are

|D| The warming |D6| sun, the |G/D| cooling |A/D| rain
|Dm| The snowflake |G/D| drifting on the |C/D| breath of the |Dm7| breeze
|D| The lightning |D6| bolt that frees the |G/D| sky for |A/D| you
|Dm| Yet only |G/D| eagles seem to |C/D| pass on |Dm7| through
|Dm| The words of |Gm/D| love, the |C| cries of |F| hate
|Bb| And the |A| man in the

|Gm| moon |Am - Bb - C - D - F#m - G - D - Em| - |A7sus4 - A7| x 2 - |B|

PEDRO AZNAR: "A LA HORA QUE SE DUERMEN LOS TRENES"

Pedida por Sergio Delfino, que las quiere fáciles pero las elige difíciles. La estrofa se puede tocar con los acordes indicados en la tablatura (A - D/A - E/A), aunque claro, no es lo mismo.

Intro: |Tab.|

|Con Tab.| El invierno vaga
como un perro que no encuentra hogar
Ciego se despierta
Corre en los pasillos para husmear

Y |C| entra |C/B| en la |Fm7| noche y la apu-|Gm7| ñala
|F| sin pie-|Bbmaj7| dad |Dm7 - Dm/G|

Y el si-|F| lencio |Bbmaj7| es
su |Dm7| úni-|Dm/G| co puñal |F - Bbmaj7 - Am - D2/F#|

|Con Tab.| Sabe el sitio exacto
en que los gatos van a conspirar
Camina de a ratos
ve a los charcos la luna imitar

En-|C| ton-|C/B| ces se a- |Fm7| soma y en |Gm7| calma
em-|F| pieza a llo-|Bbmaj7| rar |Dm7 - Dm/G|

Y ves-|F| ti-|Bbmaj7| do
de |Dm7| agua |Dm/G| va a espiar |F - Bbmaj7 - Dm7 - Dm/G|

A la |F| ho-|Bbmaj7| ra
que |Dm7| se duer-|Dm/G| men los |F| trenes |Bbmaj7 - Dm7 - Dm/G|

No hay se-|F| cre-|Bbmaj7| tos
que |Dm7| le pue-|Dm/G| dan guar-|F| dar |Bbmaj7 - Am - D2/F#|

Final: |Tab.|

ELECTRIC LIGHT ORCHESTRA: "TELEPHONE LINE"

Intro: |Am - G - F - G|

|A| Hello, how |Amaj7| are you
Have you |A7| been alright, through all those
lonely, lonely, |Bbdim| lonely, lonely, lonely

......|Bm| nights, that's what I'd |E| say,
......|Bm| I'd tell you |C#m7| everything,
......|D| If you'd pick |E| up that
......tele-|Amaj7| phone, yeah, yeah, |Dmaj7| yeah

|A| Hey, how you |Amaj7| feelin
Are you |A7| still the same
Don't you realize the things we did, we |Bbdim| did were all

......for |Bm| real not a |E| dream,
......|Bm| I just |C#m7| can't believe
......|D| They've all |E| faded
......out of |Amaj7| view, yeah, yeah, |Dmaj7| yeah
......|Amaj7| ooh ooh ooh |Dmaj7| ooh 

............|A| Doo do wap, |F#m| doobee do doo wap
............|D| Doo wah doo |E| lang
............|A| Blue days, |F#m| black nights
............|D| Doo wah doo |E| lang

............|A| I look in-|F#m| to the sky
............|D| (the love you need ain't gonna |E| see you through)
............|A| And I |F#m| wonder why
............|D| (the little things are finally |E| coming true)

............|A| Oh, oh, tele-|A/G#| phone |F#m| line,
............give me |F#m/E| some |D| time,
............I'm living in |E| twilight |Fdim|

............|A| Oh, oh, tele-|A/G#| phone |F#m| line,
............give me |F#m/E| some |D| time,
............I'm living in |E| twilight |Fdim| - |G - A|

Intro: |Am - G - F - G|

O-|A| key, so no one's |Amaj7| answering,
Well can't you |A7| just let it ring a little
longer, longer, longer, |Bbdim| oh oh ooh

......|Bm| I'll just sit |E| tight,
......|Bm| through shadows |C#m7| of the night 
......|D| Let it |E| ring for
......ever-|Amaj7| more |Dmaj7|
......yeah, yeah, |Amaj7| yeah... |Dmaj7|

............|A| Doo do wap, |F#m| doobee do doo wap
............|D| Doo wah doo |E| lang
............|A| Blue days, |F#m| black nights
............|D| Doo wah doo |E| lang

............|A| I look in-|F#m| to the sky
............|D| (the love you need ain't gonna |E| see you through)
............|A| And I |F#m| wonder why
............|D| (the little things are finally |E| coming true)

............|A| Oh, oh, tele-|A/G#| phone |F#m| line,
............give me |F#m/E| some |D| time,
............I'm living in |E| twilight |Fdim|

............|A| Oh, oh, tele-|A/G#| phone |F#m| line,
............give me |F#m/E| some |D| time,
............I'm living in |E| twilight |Fdim - G - A|

AIMEE MANN: "CRAZYTOWN"

Otro del nuevo, tal vez el mejor. Original en Eb, igualar con capo en 3.



Intro: |C - Am|

|Bm| I guess this movie must’ve |Em| opened wide
|Bm| Another girl who threatens |Em| suicide
|C| You called the cops but then |G| she denied every |D| word

And you know |C| you’ll be the one who’s |Am| paying the tab for her
|C| You’re out there trying to |Am| flag a cab

......and for |D| who--|Em|--oo?
......|C| A girl who lives in |G| Crazy-|D| town
......|D| Oo--|Em|--ooh
......|C| Where craziness gets |G| handed |D| down
......|D| Who--|Em|--oo?
......|C| Whoever’s gonna |G| volun-|D| teer
......|D| Oo--|Em|--ooh
......|C| Will only end up |G| living |D| here

|Bm| A plot like this will always |Em| have a twist
|Bm| The girl’s a dream who never |Em| did exist
|C| Just like the last one, and |G| she enlisted a |D| fool

And you thought |C| oh, it’s all fun when you’re |Am| writing songs for her
|C| But now son, you’ll be |Am| posting bond

......and for |D| who--|Em|--oo?
......|C| A girl who lives in |G| Crazy-|D| town
......|D| Oo--|Em|--ooh
......|C| Where craziness gets |G| handed |D| down
......|D| Who--|Em|--oo?
......|C| Whoever’s gonna |G| volun-|D| teer
......|D| Oo--|Em|--ooh
......|C| Will only end up |G| living |D| here

............And you don’t |Em| want to go that |G| route
............cause that’s not |C| what you’re all a-|Am| bout

......and for |D| who--|Em|--oo?
......|C| A girl who lives in |G| Crazy-|D| town
......|D| Oo--|Em|--ooh
......|C| Where craziness gets |G| handed |D| down
......|D| Who--|Em|--oo?
......|C| Whoever’s gonna |G| volun-|D| teer
......|D| Oo--|Em|--ooh
......|C| Will only end up |G| living |D| here

Final: |C - Am| x 2 - Em 

DIVINE COMEDY: "MY IMAGINARY FRIEND"

Pedida por Janet. Tono original respetado.

|F#| Would you |Emaj7| like to |A| meet my |C#7sus2| little
|F#| friend? |Emaj7 - A - C#7sus2|
|F#| Don't try to |Emaj7| shake his |A| hand he's |C#7sus2| just
pre-|F#| tend |Emaj7 - A - C#7sus2|

..........|F#| His |Emaj7| name is |A| Benja-|Emaj7| min,
..........|A| that's his |Emaj7| name.
..........My |A| Mamma |Emaj7| says,
..........|A| you're in-|Emaj7| sane,

Boy you |Dmaj7| real-|C#m7| ly |Bm7| are |E| the |Amaj7| end,
|F#m| You and your i-|Dmaj7| ma-|C#m7| gi-|Bm7| na-|E| ry

Inter: |F# - Emaj7 - A - C#7sus2| x 2
..........friend”.

|F#| Daddy |Emaj7| drives the |A| mobile |C#7sus2| libra- 
|F#| ry |Emaj7 - A - C#7sus2|
|F#| He |Emaj7| works pe-|A| ripa-|C#7sus2| teti-
cal-|F#| ly |Emaj7 - A - C#7sus2|

..........|F#| He |Emaj7| doesn't |A| get much |Emaj7| time
..........to |A| play with |Emaj7| us
..........So |A| we just |Emaj7| read
..........and |A| make up |Emaj7| stuff.

And it |Dmaj7| drives |C#m7| him |Bm7| round |E| the |Amaj7| bend,
|F#m| Me and my i-|Dmaj7| ma-|C#m7| gi-|Bm7| na-|E| ry 

Instr: |F# - Emaj7 - A - C#7sus2| x 4
..........friend”. 

..........|F#| One |Emaj7| day we're |A| gonna |Emaj7| play
..........|A| hide and |Emaj7| seek
..........And |A| Ben'll |Emaj7| be
..........|A| up the |Emaj7| creek,

Never |Dmaj7| to |C#m7| be |Bm7| seen |E| a-|Amaj7| gain.
He'll |F#m| disappear the |Dmaj7| day |C#m7| that |Bm7| child-|E| hood
|Amaj7| ends |F#m|
And re-|Dmaj7| a-|C#m7| li-|Bm7| ty |E| des-|Amaj7| cends.
I'll never for-|F#m| get you my i-|Dmaj7| ma-|C#m7| gi-|Bm7| na- 
|C#7/G#| ry - |C#7/G| 

Final: |F# - Emaj7 - A - C#7sus2| x 2
..........friend”.