GEORGE HARRISON: "APPLE SCRUFFS"

A instancias de Lucas, quien envió su propia versión, a la que le hice algunas correcciones. Está en el tono original. F#m6 es 244242, y Ebdim xx1212. 

Intro: |A - E| x 2 - |F#m - E| x 3 - A - E - A

Now I've |A| watched you sitting |Bm| there

Seen the |A| passers-by all |Bm| stare
Like you |F#m| have no place to |F#m6| go
But there's |D| so much they don't |Ebdim| know 

about Apple |A| Scruffs |E - A - E|

You've been |A| stood around for |Bm| years
Seen my |A| smiles and touched my |Bm| tears
How it's |F#m| been a long, long |F#m6| time
And how |D| you've been on my |Ebdim| mind, 

my Apple |A| Scruffs |E - A|

.......Apple |Ebdim| Scru-|A|-uffs

.......Apple |Ebdim| Scru-|A|-uffs
.......|C#7| How I |F#m| love you, how I |B| love you

Instr: |A - E| x 2 - |F#m - E| x 3 - |A - E| x 2 - |F#m - E| x 3 - A - E - A

In the |A| fog and in the |Bm| rain
Through the |A| pleasures and the |Bm| pain
On the |F#m| step outside you |F#m6| stand
With your |D| flowers in your |Ebdim| hand

my Apple |A| Scruffs |E - A - E|

While the |A| years they come and |Bm| go
Now, your |A| love must surely |Bm| show me
That be-|F#m| yond all time and |F#m6| space
We're to-|D| gether face to |Ebdim| face, 

my Apple |A| Scruffs |E - A - E|

Instr: |A - E| x 2 - |F#m - E| x 3 - |A - E| x 2 - |Ebdim| - |A|

.......Apple |Ebdim| Scru-|A|-uffs

.......Apple |Ebdim| Scru-|A|-uffs
.......|C#7| How I |F#m| love you, how I |B| love you

Final: |A - E| x 2 - |F#m - E| x 3 - |A - E|

GENESIS: "FIRTH OF FIFTH"

Acá lo más probable es que las partes instrumentales no las entienda nadie. De todos modos, está hecho el intento. Lo ideal sería ir subiendo audios con cada sección, pero son muchas, es un lío (y no todas me salen, la verdad). Si alguien se engancha, pregunte y lo guiamos. Está en el tono original, porque cambiarlo no tiene sentido: quedará más fácil la intro e imposible todo lo demás. Al cabo, no se trata tanto de sacarla completa, que es un laburo chino (aunque factible), sino de poder tocar y disfrutar algunas partes. Sirva esto entonces como mapa, o algo así, de una canción enorme que jamás imaginé se pudiera simplificar a acordes (incluso la tab no es más que E - D - Em - D - B - Em).

Intro piano: 

1 - |Bb --- Eb - Bb - Eb - Bb - C --- F - Bb - C# - G# - Ebm --- Ebm7 - G#| x 2

2 -  Bb --- |Eb - Eb2 - Eb - Eb2| x 4

3 - |G#m - C#m - Bm - Em - E7|

4 - |F# --- G#m - C#7 - G#m- C#7 - G#m| x 3

5 - |F# --- G#m - Bb7 - Ebm - F - Ebm - F| 

6 - |Bb --- Eb - Bb - Eb - Bb - C --- F - Bb - C# - G# - Ebm - F# - G#| x 2

7 - |Bb --- Eb - Bb - Eb - C#7 - Eb7 - D7 - Bb7 --- C#m - E - F#4 - F#|

|B| The path is |B/A| clear, though no |E/G#| eyes can |B| see

The |Em| course laid down |F#4| lo-|F#| ng be-|B| fore |B7|

|E| And so with |F#m| gods and men 

the |Bm| sheep remain in-|Cmaj7| side their pen

Though |G| many times they've |E| seen the way to |Bbdim| leave

|B| He rides ma-|B/A| jestic, past |E/G#| homes of |B| men

who |Em| care not or |F#4| gaze with |B| joy |B7|

|E| To see re-|F#m| flected there

The |Bm| trees, the sky, the |Cmaj7| lily fair

The |G| scene of death is |E| lying just be-|Bbdim| low 

......The |Emaj7| mountain |F#m| cuts off 

......the |Emaj7| town from |F#m| view

......Like a |Bbm| cancer |Ebm| growth 

......is re-|Bbm7| moved by |Eb| skill

......Let it |Eb| be |F| re-|G| vealed

......A |Bb6/C| waterfall, his |Cm7| madrigal, 

......an |C#m| inland sea, his |B| symphony 

......|C#m| Na, na-|C#m7| na, na-|B| na... Aa-|C#7| ah 

|B| Undinal |B/A| songs urge the |E/G#| sailors |B| on

Till |Em| lured by the |A| sirens  

|Tab| cry 

Instr (flauta): |Em - Am| x 2 - |Em - Bm - Am - B7|  - |Em| - |Am - Em| x 3 

Instr (piano): |F7| - |Cm - F7| x 3 - |Cm - F7 - C#|

Instr:

1 - |Bb --- Eb - Bb - Eb - Bb - C --- F - Bb - C# - G# - Ebm - F# - G#| x 2

2 -  Bb --- |Eb - Eb2 - Eb - Eb2| x 4

3 - |G#m - C#m - Bm - Em - E7|

4 - |F# --- G#m - C#7 - G#m- C#7 - G#m| x 3

5 - |F# --- G#m - Bb7 - Ebm - F - Ebm - F| 

6 - |Bb --- Eb - Bb - Eb - Bb - C --- F - Bb - C# - G# - Ebm - F# - G#| x 2

7 - |Bb --- Eb - Bb - Eb - C#7 - Eb7 - D7 - Bb7 --- C#m - E - D/F#|

Instr. (guitarra): |Em - D/E| x 7

Solo (guitarra): |Em - Am - Em - Am - Em - Bm - Am - B7| x 4

Instr: |E - F#m11| x 2  - |E - Dmaj7 - E7 - Cmaj7| - |G - E/G# - Bbdim|

|B| Now as the |B/A| river dis-|E/G#| solves in |B| sea,

So |Em| Neptune has |F#4| claimed a-|F#| nother |B| soul |B7|

|E| And so with |F#m| gods and men 

the |Bm| sheep remain in-|Cmaj7| side their pen
Un-|G| til the Shepherd |E| leads his flock a-|Bbdim| way

|B| The sands of |B/A| time were e-|E/G#| roded |B| by

The |Em| river of |A| constant |B| change.

QUEEN: "MY MELANCHOLY BLUES"

Pedida por @alejobostero. El tono original es Eb, tocar con transporte en 3.

Intro: |C - Em/B - Am|

Another party's over
|Em| And I'm left cold sober
My |Ebdim| baby left me |Ddim| for somebody |Edim| new
|Dm| I don't wanna talk about it
|Fm| Want to forget about it
Wanna |C| be intoxi-|Cm6| cated with that |G7sus4/D| special brew |G|

So come and |C| get me
|E7| Let me
|F| Get in that |Fm| sinking feeling
|C| That says my |Ebdim| heart is on an |Dm7| all time low - |Fdim| So

Don't ex-|C| pect me
|E7| To behave perfectly
|F| And wear that |Fm| sunny smile
|C| My guess is |Ebdim| I'm in for a |Dm7| cloudy and overcast
|Ebdim| Don't try and stop me
'Cos I'm |Em| heading for that
|A7| stormy weather |Dm| soon |Dm7+ - Dm7|

|F| I'm causing a mild sensation
|Fm| With this new occu-|Fm7+| pation
|Em| I'm permanently |Am| glued
To |Em| this extraordinary |Am| mood so now move |Dm7| over
Let me take |Ebdim| over
With my |Dm|
|Ebdim| melan-|Dm7| cho-|G7| ly |C| blues

Instr: |C - Em/B - Gm/Bb - A7| -
Instr: |F - Fm - C - Ebdim - Dm7 - Ebdim - Em - A7 - Dm - Dm7+ - Dm7| 

|F| I'm causing a mild sensation
|Fm| With this new occu-|Fm7+| pation
|Em| I'm in the |Am| news
|Em| I'm just getting |Am| used to my new ex-|Dm7| posure
So come into my en-|Ebdim| closure
And meet my |Dm|
|Ebdim| melan-|Dm7| cho-|G7| ly |C| blues