ELECTRIC LIGHT ORCHESTRA: "MIDNIGHT BLUE"

Pedida por María Marie. Originalmente está en F.



Intro: |D - G - D - A|

|D| I see the lonely road that |F#m| leads so far away
|Em| I see the distant lights that |Gm| left behind the |A7| day
|D| But what I |D/C| see is so much |B7| more than I can say
And I see |Em| you in |Gm| mid-|A7| night |D| blue |G - A|

|D| I see you cryin' now you've |F#m| found a lot of pain,
|Em| And what you're searchin' for can |Gm| never be the |A7| same,
|D| But what's the |D/C| difference cos' they |B7| say what's in a name
And I see |Em| you in |Gm| mid-|A7| night |D| blue |G - D - A|

......|D| I |D/F#| will |G| love you to-|A7| night,
......and |D| I |F#m| will |G| stay by your |Gm| side
......|D| Lovin' |Bm| you, |G| I'm feelin'
......|A7| midnight |D| blue |G - D - A|

|D| I see you standing there far |F#m| out along the way,
|Em| I want to touch you but the |Gm| night becomes the |A7| day,
|D| I count the |D/C| words that I am |B7| never gonna say
And I see |Em| you in |Gm| mid-|A7| night |D| blue |G - D - A|

......|D| I |D/F#| will |G| love you to-|A7| night,
......and |D| I |F#m| will |G| stay by your |Gm| side
......|D| Lovin' |Bm| you, |G| I'm feelin'
......|A7| midnight |D| blue |G - D - A|

|D| Can't you feel the love that I'm offering you,
Can't you |F#m| see how it's meant to be,
|Em| Can't you hear the words that I'm saying to you,
|Gm| Can't you believe |A7| like I believe,
|D| It's only |D/C| one and one it's |B7| true
Still I see |Em| you in |Gm| mid-|A7| night |D| blue |G - D - A|


......|D| I |D/F#| see |G| beautiful |A7| days
......and |D| I |F#m| feel |G| beautiful |Gm| ways of
......|D| loving |Bm| you, |G| everything's
......|A7| midnight |D| blue |G - A| 

......|D| I |D/F#| will |G| love you to-|A7| night,
......and |D| I |F#m| will |G| stay by your |Gm| side
......|D| Lovin' |Bm| you, |G| I'm feelin' |A7| midnight |D| blue

GENESIS: "THE SILENT SUN"

Pedida por Silenciera.

CROWDED HOUSE: "POUR LE MONDE"

De las más recientes maravillas de Mr. Finn. Original en Dm.



Intro: |Am - F - C| x 2 

|Am| He i-|F| magines the |C| world
|Am| As the |F| angel as-|C| cending
|Em| Like the ghost of a |Am| man
Who is |G| tied up to the |F| chair |Dm|

|Am| And he |F| tries to be-|C| lieve
|Am| That his |F| life has a |C| meaning
|Em| With his hand on his |Am| heart
Pour le |G| monde, pas pour la |F| guerre |Dm|

|Am| And I |F| wake up |C| blind
|Am| Like my |F| dreams were too |C| bright
|Em| And I lost my re-|Am| gard
For the |G| good things that I |F| had |Dm|
And the |G| radio was |F| sad |Dm|
When you |F| listen for |G| good

......In a |C| hope that comes to |Bb| nothing
......‘Cos the |F| liars have moved |G| in
......And they be-|C| lieve their own dark |Bb| medicine

|Am| They act so |F| noncha-|C| lant
|Am| But he is |F| not a |C| dog
|Em| Perform for you in the |Am| stadium
For the |G| world, not for the |F| war |Dm|

|Am| And he |F| won't hesi-|C| tate
|Am| Though it |F| might lead to |C| heartache
|Em| In the night club |Am| Indigo
For the |G| world, not for the |F| war |Dm|
Pour le |G| monde, pas pour la |F| guerre |Dm|
When you |F| listen for |G| good

......In a |C| hope that comes to |Bb| nothing 
......‘Cos the |F| liars have moved |G| in
......And they be-|C| lieve their own dark |Bb| medicine
......Be-|F| lieving it's |G| good
......Behind their |C| jaded eyes, a di-|Bb| lemma

|Am| He's the |F| best you |C| ever |D| had
|Am| He's so |F| low, you'll |C| never |D| know
|Am| He's so |F| low, you'll |C| never |D| know
|Am| He's so |F| low, you'll |C| never |D| know |Am - F - C - D|
|Am| He's so |F| low, you'll |C| never |D| know

|Am| He's so |F| low |D|

Final: |Am - D| x 3 - |Am - F - D|

SPINETTA JADE: "MAPA DE TU AMOR"

Pedida por Daniel Rodríguez.

Intro: |Amaj7  -  Gmaj7/A  -  Amaj7  -  Tab.|
Intro: |Amaj7  -  Gmaj7/A  -  Amaj7  -  D/E|

|Amaj7| Es anochecer, |D6| siento tu señal
Y |Bm7| sigo andando sin saber |E7sus2 - C/Bb|
|Amaj7| Por el auto-estereo |D6| solo tu mirada
|Bm7| Algo que no se explicar |E7sus2| - |Bbdim| oh

......De-|F#maj7| cime lo que sea, |Amaj7| solo quiero verte
......|F#maj7| Sueño con estar a-|Amaj7| sí
......|F#maj7| No puedo esperar, |Amaj7| y no se buscarte
......|Gmaj7| Dame un mapa de tu a-|Dmaj7| mor
......|Bbmaj7| Dame que quiero encon-|Cmaj7| trar tu cora-|D/E| zón

............|Amaj7| Quiero sen-|F#m| tirme en tus |Bm7| sueños
............|Amaj7| Quiero brin-|F#m| darte mi |Bm7| vida
............|Amaj7| Quiero que me |F#m| abras los |Gmaj7| ojos
............Y |Bm7| me des vuel-|E7sus2| ta |A7/Bb| 

|Amaj7| Nada importa ya, |D6| solo la canción
|Bm7| Son tus ojos al mirar |E7sus2 - C/Bb|
|Amaj7| Y por la arboleda |D6| restos del diluvio
|Bm7| Y un amor que se marchó |E7sus2| - |Bbdim| oh

......|F#maj7| Nunca imaginé... que |Amaj7| te quería tanto
......|F#maj7| Todo cambiaría al |Amaj7| fin
......|F#maj7| Pero no es así, |Amaj7| y no se buscarte
......|Gmaj7| Dame un mapa de tu a-|Dmaj7| mor
......|Bbmaj7| Dame que quiero encon-|Cmaj7| trar tu cora-|D/E| zón

............|Amaj7| Quiero sen-|F#m| tirme en tus |Bm7| sueños
............|Amaj7| Quiero brin-|F#m| darte mi |Bm7| vida
............|Amaj7| Quiero que me |F#m| abras los |Gmaj7| ojos
............Y |Bm7| me des vuel-|E7sus2| ta |A7/Bb| 

............|Amaj7| Dame otra |F#m| forma de |Bm7| vida
............Ya no |Amaj7| quiero vi-|F#m| vir como |Bm7| digan
............|Amaj7| Quiero brin-|F#m| darte mis |Gmaj7| días
............Con |Bm7| todo mi a-|E7sus2| mor |A7/Bb| 

Instr: |Amaj7  -  D6| x 2 - |B6/9 - Bmaj7| x 2 

............|Bmaj7| Quiero sen-|G#m| tirme en tus |C#m7| sueños
............|Bmaj7| Quiero brin-|G#m| darte mi |C#m7| vida
............|Bmaj7| Quiero que me |G#m| abras los |Amaj7| ojos
............Y |C#m7| me des vuel-|F#7sus2| ta 

Instr: |Amaj7  -  Gmaj7/A  -  Amaj7  -  Tab.| 
Intro: |Amaj7  -  Gmaj7/A  -  Amaj7  -  D/E|

|Amaj7| Ya anocheció, y |D6| una estrella cae
|Bm7| Y la calle se durmió |E7sus2 - C/Bb|
|Amaj7| Ojalá estuvieras |D6| en esta dulzura
|Bm7| Que la brisa trae aquí |E7sus2| - |Bbdim| oh 

......|F#maj7| Toda la verdad es |Amaj7| que no tengo miedo
......|F#maj7| De que el mundo siga i-|Amaj7| gual, siempre igual, siempre así
......|F#maj7| Pienso solo en vos |Amaj7| y no se buscarte
......|Gmaj7| Dame un mapa de tu a-|Dmaj7| mor
......|Bbmaj7| Dame que quiero encon-|Cmaj7| trar tu cora-|D/E| zón 

............|Amaj7| Quiero sen-|F#m| tirme en tus |Bm7| sueños
............|Amaj7| Quiero brin-|F#m| darte mi |Bm7| vida
............|Amaj7| Quiero que me |F#m| abras los |Gmaj7| ojos
............Y |Bm7| me des vuel-|E7sus2| ta |A7/Bb| 

............|Amaj7| Dame otra |F#m| forma de |Bm7| vida (rep. y desaparece)

ANA PRADA: "ADIÓS"

Pedida por Silenciera.



Intro: |Gm - Cm - Gm| x 2

|Gm| Tuve que cerrar los |Cm| ojos y dejarte |Gm| ir
|Gm| Tuve que aclarar el |Cm| trillo y verte par-|Gm| tir
|Cm| Tuve que fingir que no mi-|Gm| raba
|Cm| Tuve que disimular mi a-|D7| diós... |Gm - Cm| x 2

|Cm| Tuve que fingir que no mi-|Gm| raba
|Cm| Tuve que disimular mi a-|D7| diós...

......|G| Tuve que arrastrarme como |Bm| verso de canción
......|G| Entre las cositas que de-|Bm| jaste
......|G| Tuve que esconderte las he-|Cm| ridas
......pa' po-|D7| der decirte

|Gm - Cm| x 2
La la la la...

|-| Tuve que barrer las hojas |Gm| secas
Del |Cm| árbol que plantaste en mi jar-|D7| dín

......|G| Tuve que arrastrarme como |Bm| verso de canción
......|G| Entre las cositas que de-|Bm| jaste
......|G| Tuve que esconderte las he-|Cm| ridas
......pa' po-|D7| der decirte... que

......|G| Tuve que arrastrarme como |Bm| verso de canción
......|G| Entre las cositas que de-|Bm| jaste
......|G| Tuve que esconderte las he-|Cm| ridas
......pa' po-|D7| der decirte a-|Gm| diós

RUFUS WAINWRIGHT: "JERICHO"

Pedida por Chiquito. Atenti al video.



Intro: |A - E7| x 4

|A| I keep |E7| thinking that you are |A| going to |E7| change
|A| I keep |E7| thinking that you are |A| going to rear-|E7| range
But I'm a |D| fool to think |E| something so im-|A| possible
You |A7| ain't |D| ever gonna change
You ain't |A| ever gonna change
Oh |D7| no |A| Jericho
Until I |E| blow |E7|

|A| I keep |E7| thinking that you are |A| going to |E7| rise
|A| I keep |E7| thinking that you are |A| going to compro-|E7| mise
But I'm a |D| fool to think |E| something so im-|A| probable
You |A7| ain't |D| ever gonna rise
You ain't |A| ever gonna rise
Oh |D7| no |A| Jericho
Until I |E| take you by sur-|A| prise |E7 - A - E7 - A|

......|Am| Baby I |Dm| know that you're too |G| sad to cry
......But my little darling guess what? |C| So am I
......|Am| Still I be-|Dm| lieve we ought to |E7| shed a tear
......The open hearted have no |Am| thing to fear
......|Am| But I don't |Dm| even think you |G| hear me at all
......Under your... medieval ceiling behind |C| your biblical wall
......|Am| Guess I'll have to |Dm| put my trumpet |E7| back in the case
......And get behind this here canon |Am| covered in |Dm| lace
......Covered in |E7| la--|G|--ce

|A| I keep |E7| thinking that you are |A| going to |E7| change
|A| I keep |E7| thinking that you are |A| going to rear-|E7| range
But I'm a |D| fool to think |E| something so im-|A| possible
You |A7| ain't |D| ever gonna change
You ain't |A| ever gonna change
Oh |D7| no |A| Jericho
Until I |E| blow |E7|
Until I

Final: |A - E| x 3 - |A|
.........blow

MANUEL ILLAN: "RESISTIRÉ"

Pedida por Marcelo Carpe.



Intro: |D - G - A - Bm --- D - G - A - A| x 2

|D| Sintomático |G| es |A| que sometido es-|Bm| tés
|D| A la respira-|G| ción de un mundo |A| cruel |A|
|D| Yo resisti-|G| ré |A| si me acosa el |Bm| tiempo
|D| Con mi revolu-|G| ción, yo resisti-|A| ré |A|

......|G| No sé lo que ha-|A| rán los demás |Bm| hombres
......Espera-|G| rán una se-|A| ñal que les susurre el |F#m| viento
......|G| No sé lo que ha-|A| rán tus pensa-|Bm| mientos
......O espera-|G| rás a mi se-|A| ñal |A|

......|D - G| Resisti-|A| ré |Bm|  
......|D - G - A - A|

|D| Noche enamo-|G| rada, |A| te envío una se-|Bm| ñal
|D| Vente con-|G| migo, amiga a-|A| mada |A|
|D| Te entrego el viento a-|G| mor, |A| con la imagina-|Bm| ción
|D| Te escribo una can-|G| ción, te doy una |A| flor |A| 

......|G| No sé lo que ha-|A| rán las demás |Bm| gentes
......Espera-|G| rán una se-|A| ñal que les traiga el |F#m| viento
......|G| No sé lo que ha-|A| rán tus pensa-|Bm| mientos
......O espera-|G| rás a mi se-|A| ñal |A|

......|D - G| Resisti-|A| ré |Bm| 
......|D - G| Resisti-|A| ré |A| 
......|D| Resisti-|G| ré |A - Bm|  
......|D| Resisti-|G| ré |D| 

NELLY OMAR: "BARRIO POBRE"

Pedido por Silenciera, quien asegura que no se consigue. Bbdim vendría siendo x12320.



Intro: |Dm - A7 - Dm - D7| - |Gm --- Dm --- E7 - A7 - Dm| - |Gm - C7 - A7|

En este |Dm| barrio que es re-|D7| liquia del pa-|Gm| sado |G7|
en esta |C| calle tan hu-|C7| milde tuve |F| ayer,
detrás de a-|Dm| quella ventanita que han ce-|Gm| rrado,
la clave-|A7| lina perfumada de un que-|Dm| rer |A7|

Aquellas |Dm| fiestas que en sus |D7| patios cele-|Gm| braban
algún su-|C| ceso ventu-|C7| roso del lu-|F| gar |Eb - D|
con la gui-|Gm| tarra entre la |E7| rueda me con-|F| taban
y en versos |E7| tiernos ento-|A7| naba mi can-|Dm| tar... |G7|

......|C7| Barrio... de mis sueños más ar-|F| dientes.
......|A7| Pobre... cual las ropas de tus |Dm| gen-|D7| tes
......|Gm| Para mí, guardabas toda la ri-|Dm| queza
......y lloviz-|F| naba la tris-|E7| teza
......cuando te di mi último a-|A7| diós |Bb7 - A7 - B7|

......|C7| Barrio... Barrio pobre, estoy con-|F| tigo.
......|A7| Vuelvo... a cantarte, viejo a-|Dm| mi- |A7| go |Dm - D7|
......|Gm| Perdoná los desencantos de mi |Dm| canto,
......pues desde en-|F| tonces lloré |E7| tanto |Bbdim|
......que se ha que-|A7| brado ya mi |Dm| voz... |Gm - C7 - A7|

Por esta |Dm| calle iba en las |D7| pálidas au-|Gm| roras
con paso |C| firme a la jor-|C7| nada de la-|F| bor.
Cordial y |Dm| simple era la ronda de mis |Gm| horas,
amor de |A7| madre, amor de novia... Siempre a-|Dm| mor |A7|

Por esta |Dm| calle, en una |D7| noche huraña y |Gm| fría,
salí del |C| mundo puro y |C7| bueno del a-|F| yer |Eb - D|
Doblé la es-|Gm| quina, sin pen-|E7| sar lo que per-|F| día,
me fui sin |E7| rumbo, para |A7| nunca más vol-|Dm| ver |G7| 

......|C7| Barrio... de mis sueños más ar-|F| dientes.
......|A7| Pobre... cual las ropas de tus |Dm| gen-|D7| tes
......|Gm| Para mí, guardabas toda la ri-|Dm| queza
......y lloviz-|F| naba la tris-|E7| teza
......cuando te di mi último a-|A7| diós |Bb7 - A7 - B7|

......|C7| Barrio... Barrio pobre, estoy con-|F| tigo.
......|A7| Vuelvo... a cantarte, viejo a-|Dm| mi- |A7| go |Dm - D7|
......|Gm| Perdoná los desencantos de mi |Dm| canto,
......pues desde en-|F| tonces lloré |E7| tanto |Bbdim|
......que se ha que-|A7| brado ya mi |Dm| voz... |Gm - Dm|

RUFUS WAINWRIGHT: "OUT OF THE GAME"

|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no

|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no

......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know what you’re doin’?

|E| You’re only a |Amaj7| child
|F#m| With the mind of a |D7| se-|B7| nile man
|E| You’re only a |Amaj7| young thing,
|F#m| ’Bout to sleep with a |B7| sea |D7| of men

|E| Just hangin’ a-|Amaj7| round,
|F#m| Wearin’ somethin’ from |D7| God |B7| knows where.
|E| Just havin’ a |Amaj7| ball
|F#m| Makin’ all of the |B7| thin |D7| cards fall

......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know what you’re doin’?

Solo: |E - Amaj7 - F#m - D7 - B7 --- E - Amaj7 - F#m - B7 - D7| x 2 - |E|

|E| Say, come over |Amaj7| here,
|F#m| Let me smell you for |D7| one |B7| last time
|E| Before you go |Amaj7| out there (out there)
|F#m| And ruin all of the |B7| world, |D7| once mine.

|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no

......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know... |F|
......What you’re doin’? |E|

IMOGEN HEAP: "BAD BODY DOUBLE"

Para hamacarse con el fraseo.



|G| She pops |Bm| into the bathroom
|F| Just |Am| after a shower and
|G| She plays with my |Bm| makeup and creams
|F| Keeps |Am| trying to look like

|G| me... And goes through the |Bm| motions
Posing this |F| way and that |Am| holding it in
If it |G| makes you feel better |Bm|
Then knock your-|F| self out |C/E|

......And say |G| hi there to my |G/B| bad body double
......|F| This is my |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble

......|G| Oh, |G/B| she's troubl-|F| e |C/E|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |C/E| yeah yeah

|G| Some-|Bm| times I manage to lose her
|F| Shake her, at a |Am| bar in the gym for
|G| five minutes. It feels so |Bm| good to be back
to my old |F| self again, can |Am| get quite confusing

|G| We look very |Bm| similar except she's got
some |F| grays and a |Am| little extra weight on the
|G| sides and dimply |Bm| thighs
I hear that stuff's a |F| bitch to get rid of  
|F| No no

......Not |G| now...
......We're having |G/B| quite an intimate |F| personal |C/E| moment
......Not |G| now...
......Could you |G/B| maybe come at a |F| slightly less |C/E| awful time
......Not |G| now...
......and she can |G/B| see I've got someone |F| quite nice |C/E| here with me
......Can't we just be |G| left alone? |G/B|
......I guess that's a |F| no then
......|F| Seeing as she's still |G| here
......|F| Seeing as she's still |G| here
......|F| Here

......It's not |G| me, no, it's my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble,

......|G| Aaaagh |G/B| Bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double 
......|F| I got |C/E| bad body double trouble
......|G| Oh dear, my |G/B| bad body double 
......|F| I got |C/E| bad body double trouble

......|G| Oh, |G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah |G| 
......|G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah, right there

|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |C/E|
|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |F|

......Say |G| hi there |G/B| 
......To my |F| bad bad |C/E| bad bad body
......|G| double |G/B|
......She's |F| trouble |C/E|
......I can't |G| shake her |G/B|
......And I |F| hate her I'm hate her I'm a |C/E| hater I'm a hater
......I'm a |G| hater, she's |F| everywhere I go

I'm |G| gonna get |G/B| rid of you |F| once and for |C/E| all
Gonna |G| roll you |G/B| out on my pi-|F| lates |C/E| rubber ball
|G| Sweat and |G/B| step up the |F| pace and the |C/E| gradient
|G| Starting to-|G/B| morrow |F| I am your |C/E| nemesis |G|