THE NEW PORNOGRAPHERS: "THESE ARE THE FABLES"

Estupenda canción de "Twin Cinema", en su tono original.


Intro: |E - F#m - D - C| x 2 

In |E| coral and |F#m| gray, in |D| submarine |C| chambers

|E| One |F#m| day it |D| swam for the |C| light

The |E| jewels that |F#m| lit, the |D| cities that |C| float there

......|Bm| Cities in |E| circles drawn  
......|D| perfect, |Bm| complete

......|D| Holding the |E| secrets on 

......|E| My street... |G| my street... |D| my street 

So |E| come in and |F#m| play the |D| song of the |C| siren

It's |E| common- |F#m| place, you |D| hear the voice |C| rise

In |E| one |F#m| wave and |D| crash on your |C| doorstep

......|Bm| Making the |E| circle here |D| perfect, |Bm| complete

......|D| These are the |E| fables on |A| my street |D - A - D| 

............|D| Ten thousand |C#m| dancing girls

............Kic- |F#m| king cans 'cross the |D| sky

............|D| No reason |A| why |D| 

............|D| Why ask to |C#m| pay yourself

............For the |F#m| call of the |D| wild |D|

............You found this |A| child

............So |D| raise |E| him 

And |E| wind your |F#m| back, come |D| back to the |C| river 

The |E| currents speed |F#m| by and |D| hope the men |C| fear

The |E| hammer comes |F#m| down so |D| hard on the |C| evening

......|Bm| Cracking the |E| dawn of your

......|D| Days are re- |Bm| peat

......|D| These are |E| fables on
......|E| My street... |G| my street... |D| my street 

|E| Heaven shook |F#m| Hell and |D| down from its |C| pockets

The |E| ring in your |F#m| bell, it |D| fell through your |C| hands

|E| Hang at your |F#m| feet the |D| doors that won't |C| open

......|Bm| Marking the |E| journey of  
......|D| our friends |Bm| complete

......|D| These are the |E| fables of 

............|C| My street |D - G - Am - C - Bm - C - D|

............|C| My street |D - G - Am - C - Bm - C - D| 

............|C| My street |D| - |G| My street |Am| 
............|C| Lay down in |Bm| glory, you're |C| not a- |D| lone

............|C| My street |D| - |G| My street |Am| 
............|C| Lay down in |Bm| glory, you're |C| not a- |D| lone... |G|

TOM PETTY: "TOO GOOD TO BE TRUE"

Intro: |Em - G - A - G| x 4 

|Em - G| Her imagi- |A| na- |G| tion ran |Em| wild |G - A - G|
|Em - G| Could this really |A| ha- |G| ppen to |Em| me? |G - A - G|
|Em - G| She could barely |A| hold |G| back the |Em| tears |G - A - G|

......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| tru--|Bm|--|C|--e 

Inter: |Em - G - A - G| x 2

|Em - G| Everything that |A| she'd |G| waited |Em| for |G - A - G|
|Em - G| Everything that |A| she'd |G| dared to |Em| dream |G - A - G|
|Em - G| Suddenly was |A| out- |G| side her |Em| door |G - A - G|

......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| tru--|Bm|--e  |C|

Inter: |Em - G - A - G| x 2 

............There |D| was no talk of |C| giving in
............And |D| just as hope was |C| wearing thin
............Her |D| eyes were like a |C| child again
............Too good to be

Inter: |Em - G - A - G| x 2 

                true

|Em - G| Morning on the |A| out- |G| skirts of |Em| town |G - A - G|
|Em - G| Sitting in the |A| tra- |G| ffic a- |Em| lone |G - A - G|
|Em - G| You don't know what it |A| means |G| to be |Em| free |G - A - G|

......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| true
......It was |D| ... too good to be |Am| tru--|Bm|--e  |C| 

Final: |Em - G - A - G| x 2 - |Em7|

THE POLICE: "SPIRITS IN THE MATERIAL WORLD"

Original en Am, escuchable acá. Se recomienda subirlo un poco. El estribillo, sabrán, es sobre un riff, no sobre acordes, pero bueno, acá acordizamos todo o casi todo, para poder rascar y ser felices. El final es totalmente inventado. El Em9 es 022002, y el Am6 x02212.

Intro: |Em9 - Em - D - Bm| x 4 

|Em9 - Em| There is no po- |D| liti- |Bm| cal so- |Em9| lution |Em - D - Bm|
|Em9 - Em| To our |D| troubled |Bm| evo- |Em9| lution |Em - D - Bm|
|Em9 - Em| Have no |D| faith in |Bm| consti- |Em9| tution |Em - D - Bm|
|Em9 - Em| There is no |D| bloody |Bm| revo- |Em9| lution |Em - D - Bm|

......|Am| We are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial

... world |Em9 - Em| Our |D| so-called |Bm| leaders |Em9| speak |Em - D - Bm|
|Em9 - Em| With |D| words they |Bm| try to |Em9| jail you |Em - D - Bm|
|Em9 - Em| They |D| subju- |Bm| gate the |Em9| meek |Em - D - Bm|
|Em9 - Em| But it's the |D| rheto- |Bm| ric of |Em9| failure |Em - D - Bm|
 
......|Am| We are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial...
 
Inter: |Am6| world |C - Em - C - Am|

Instr: |Em9 - Em - D - Bm| x 4

|Em9 - Em| Where |D| does the |Bm| answer |Em9| lie? |Em - D - Bm|
|Em9 - Em| |D| Living from |Bm| day to |Em9| day |Em - D - Bm|
|Em9 - Em| If it's |D| something |Bm| we can't |Em9| buy |Em - D - Bm|
|Em9 - Em| There must |D| be a- |Bm| nother |Em9| way |Em - D - Bm| 

......|Am| We are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial
......|Am| world, are spirits in the ma- |D| terial...

Final: |Am6| world |C - Em - C - Am - Em|