GENESIS: "SUPPER'S READY" (tercera parte)

Tercera y final. Acá, luego de subir un semitono la parte 2, volvemos al tono original. Disculpas por el solo de teclado faltante, no digo que sea inguitarreable, pero es larguísimo e intrincado, imposible seguirlo. La parte inicial, ese solo de flauta, no sé si no es lo mejor de toda la suite.

Solo flauta: |Am - D7 - F - C - G --- D - Amaj7 - Am - D - E --- Am - E7| x 3
Solo flauta: |Am - D - E - F - Fdim| 

|F#| With the Guards of Magog, swarming around,
|Cmaj7| The pied piper takes his children underground.
|F#m7| Dragons coming out of the sea,
|Cmaj7| Shimmering silver head of wisdom looking at me.
|F#m7| He brings down the fire from the skies,
|Cmaj7| You can tell he's doing well by the look in human |D| eyes.
Better not compromise, it won't be |E| easy.

|E| |Solo de teclado larguísimo e intrincado| |E|

|Cmaj7| 666 is no longer alone,
|D6| He's getting out the marrow in your back bone,
And the |Cmaj7| seven trumpets blowing sweet rock and roll,
|D6| Gonna blow right down inside your soul.
|Cmaj7| Pythagoras with the looking glass reflects the full moon,
|D6| In blood, he's writing the lyrics of a |E| brand new tune |E/Eb - D6 - Cmaj7|

Instr: |E - E/Eb - D6 - Cmaj7|
Instr: |E9 - B - Ebm - Adim - Bb|

And it's |Eb| hey |Bb| babe,
with your |Adim| guardian eyes so |Bb| blue,
|Eb| Hey my |Bb| baby,
don't you |Adim| know our love is |Gm| true,
|Gm*| I've been so |Gm9| far from here,
Far from your |Gm| loving arms,
|G| Now I'm |D| back again,  
|G| and babe it's gonna work |D| out |A| fine.

......Can't you feel our |G| souls ignite
......Shedding |A| ever changing colours,
......In the darkness of the |G| fading night,
......Like the |Bm| river joins the |C#m| ocean,
......As the |C| germ in a |D| seed grows
......We have |C| finally been |G| freed to get |D| back |A| home.

......There's an angel standing |G| in the sun,
......And he's |A| crying with a loud voice,
......This is the supper of the |G| mighty one,
......Lord of |Bm| lords, king of |C#m| kings,
......Has re-|C| turned to lead his |D| children home,
......To |C| take them to the |G| New Je-|D| rusa-|A| lem. |G - A - G|

AIMEE MANN: "DISAPPEARED"

Del disco nuevo, que creo todavía no salió.



Intro: |E - Bm - D - A| x 2

|E| Some-|Bm| how |D| 
I wound up on |E| your |Bm| bad |D| side |A|
|E| Til |Bm| now, |D| 
I guess I had a |E| free |Bm| ri-|D| ide | A|
but now I |D| join |A| the queue |E|
of people |D| dead |A| to you |E|
the one-time |D| chosen fe-|A|-ew

.......That’s |E| all, that’s |F#m| it, you got your-|D| self disap-|A| peared
.......the |E| atom |F#m| split, and you got |D| back-engi-|A| neered
.......you’re a |E| forgotten |F#m| face be-|D| hind a |A| beard
.......that’s |E| it, that’s |F#m| all, you’re |D| gone |A|

|E| Though |Bm| I’ve |D| 
been master of the |E| thank-|Bm| less |D| task |A|
|E| Near-|Bm| by |D| 
are questions you just |E| have |Bm| to |D| ask |A|
was eve-|D| ry e-|A| nemy |E|
bad as |D| you made |A| him |E| be?
or were they |D| just some gullible |A| stooge...

.......... Like |E| me? That’s |F#m| it, you got your-|D| self disap-|A| peared
.......the |E| atom |F#m| split, and you got |D| back-engi-|A| neered
.......you’re a |E| forgotten |F#m| face be-|D| hind a |A| beard
.......that’s |E| it, that’s |F#m| all, you’re |D| gone

..............And |C#m| everyone who |A| knew you,
..............said they’d |E| been there |B| too
..............and |C#m| soon enough I’d |A| see the mill
..............you |E| put them |B| through
..............that |D| “Irish Goodbye” you |A| do

.......That’s |E| it, that’s |F#m| all, you got your-|D| self disap-|A| peared
.......a |E| curtain |F#m| call at which your |D| absence was |A| cheered
.......you’re a |E| forgotten |F#m| face be-|D| hind a |A| beard
.......that’s |E| it, that’s |F#m| all, you’re |D| gone |A| 
.......that’s |E| it, that’s |F#m| all, you’re |D| gone |A|
.......that’s |E| it, that’s |F#m| all, you’re |D| gone |E|

JAIME ROOS: "VIDA NÚMERO DOS"

Pedida por Chiquilín. Es la versión que tocan en el video que se inserta a continuación.

Intro: |C#m7 - B7sus2 - Bm7 - Cmaj7| - |F#m - E|

|E| Fue cuando se |B11| vio |Bm11| puesto en un pa-|A2| pel
|E| Fue cuando encon-|B11| tró |Bm11|
su retrato |A2| fiel en un anaquel
|E| Hora de cam-|B11| biar |Bm11| su pesada |A2/F#| piel 
|E| Para qué espe-|B11| rar el día i-|Bm11| deal
será igual que |A2| siempre,
|E| Para qué gas-|B11| tar las semanas |Bm11| que
no van a vol-|Cmaj7| ver jamás

......|G| Decidió inten-|D| tar |F| una vida |C| número dos
......|G| Decidió lle-|D| nar una agenda ac-|F| tual con nombres re-|C| ales
......|G| Su pulcra |D| vida ya estaba seca
......como pa-|F| ra seguirle dando |A| vueltas
......al mismo lla-|Am| vero, nunca más vol-|Em7| vió
......a cumplir infames |Cmaj7| trámites

|E| Fue cuando par-|B11| tió |Bm11| para no vol-|A2| ver
|E| Fue cuando le-|B11| yó |Bm11| 
el relato a-|A2| quel que lo desveló
|E| para que du-|B11| rar |Bm11| soñando un fi-|A2| nal

|E| Para qué espe-|B11| rar el día i-|Bm11| deal
será igual que |Cmaj7| siempre

......|G| Su pulcra |D| vida ya estaba seca
......como pa-|F| ra seguirle dando |A| vueltas
......al mismo lla-|Am| vero, nunca más vol-|Em7| vió
......a desear vacíos |Cmaj7| pésames

Inter: |C#m7 - B7sus2 - Bm7 - Cmaj7| x 2

|E| Camino |B11| lento, |Bm11| candombe y |A2| viento
|E| Camino |B11| largo, |Bm11| camino a-|A2| margo

|E| Camino |B11| lento, |Bm11| candombe y |A2| viento
|E| Camino |B11| largo, |Bm11| camino a-|A2| margo

|E| Camino |B11| lento, |Bm11| candombe y |A2| viento
|E| Camino |B11| largo, |Bm11| camino a-|Cmaj7| margo

Final: |F#m - E|

THE CARS: "YOU ARE THE GIRL"

Pedida por Alejo.

Intro: |G - Em - Am - D| x 2 - |Am - D| x 2 - |G - C - D|

|G| Why don't you |Em| dream anymore
|Am| what's in the |D| way
|G| How come you |Em| point to the door
|Am| and ask me to |D| stay-ay

......|G| Why don't you |C| flash that smile
......|G| like you used to |C| do
......|Am| Why don't you |D| stay for awhile
......|Am| uh well it's |D| up to you, cause

............|C - D| You are the |G| girl
............that |D| keeps me up at |Am| night
............|D| You are the |G| girl
............that |D| makes me feel all |Am| right
............You are the |D| girl |G|
............Well you give me a |C| twirl
............|Am| you are the |D| girl... in my |G| dreams |C - D|

|G| Why don't ya |Em| talk anymore
|Am| what did I |D| say
|G| How is it |Em| what I came for
|Am| is floating a-|D| way

......|G| Why don't you |C| flash that smile
......|G| like you used to |C| do
......|Am| Why don't you |D| stay for awhile
......|Am| uh well it's |D| up to you, cause

............|C - D| You are the |G| girl
............that |D| keeps me up at |Am| night
............|D| You are the |G| girl
............that |D| makes me feel all |Am| right
............You are the |D| girl |G|
............Well you give me a |C| twirl
............|Am| you are the |D| girl... in my  

Solo: |G| dreams |D - C - C| x 2

|G| Why don't you |Em| dream anymore
|Am| what's in the |D| way
|G| How come you |Em| point to the door
|Am| and ask me to |D| stay-ay

......|C| Why don't you |D| flash that smile
......|G| like you used to |C| do
......|Am| Why don't you |D| stay for awhile
......|Am| uh well it's |D| up to you, cause

............|C - D| You are the |G| girl
............that |D| keeps me up at |Am| night
............|D| You are the |G| girl
............that |D| makes me feel all |Am| right
............You are the |D| girl |G|
............Well you give me a |C| twirl
............|Am| you are the |D| girl... in my |G| dreams |C - D| 

............|Am| You are the |D| girl |G|
............And you give me a |C| twirl
............|Am| you are the |D| girl... in my |Em| dreams
............Oh |Am| you are the |D| girl... in my |G| dreams

SPINETTA: "KAMIKAZE"

Pedida por Facundo.

|A9-| Ca-|F9-| yó |G9-| por |E9-| fin |Em| ...
el noble |D9-| kamikaze
|A9-| Su |F9-| piel |G9-| ar-|E9-| dió |Em| ...
quemando al |D9-| enemigo

|B/G| Al ser tocado |Aaug|
Cam-|Gaug| bió de |Aaug| rumbo y |Gaug| apun-|Aaug| tó
hacia el |Aaug| fin |G#aug - Gaug|
 A-|Aaug| sí le dio ra-|F9-| zón |Fm| 
a su |Eb9-| sangre oh |A4/Bb - Em|

|F#9-   A9-   F9-   G/C   Fmaj7| x 3 

La la la...

|A9-| Ca-|F9-| yó |G9-| por |E9-| fin |Em| ...
el loco |D9-| kamikaze
|A9-| Cre-|F9-| yó |G9-| ubi-|E9-| car |Em| ...
su propio |D9-| sol naciente

|B/G| Luego en su reino |Aaug|
El |Gaug| kami-|Aaug| kaze |Gaug| compren-|Aaug| dió
su e-|Aaug| rror |G#aug - Gaug|
A-|Aaug| llí morir a-|F9-| sí |Fm| 
es en |Eb9-| vano, oh |A4/Bb - Em|

Final: |E4/G# - D4/F# - F#aug| x 2
Final: |E4/G# - D4/F# - Gm6 - E7/Bb|

THE SHINS: "IT'S ONLY LIFE"

Otra belleza del último, en su tono original.



Intro: |C - G - F --- C - Em - F - G|

|C| Died in the wood you've |Am| been cornered by a |Em| natural desire
You wanna |F| hop along with the giddy throng through |C| life
But how you learn to |Em| steer when you're |F| grinding all your |G| gears

|C| You've been talking for |Am| hours
You say |Em| time will wash every |F| tower to the sea
And |C| now you got this |Em| worry |F| in your |G| heart

Well I guess it's |F| only life, it's |C| only natu-|G| ral
We all spent a |F| little while going |C| down the rabbit |G| hole
The things they |Am| taught you, they're lining up to |C| haunt you
You got your back against the |G| wall |F - Em|
 
I |F| call on you on the telephone, won't you pick up the re-|G| ceiver?

------|C| I've been down the very |G| road you're |F| walking |C| now
------It doesn't have to be so |Em| dark and |F| lonesome
------|C| It takes a while till we can |G| figure |F| this thing |Em| out
------and turn it back a-|G| round

Instr: |C - Am - Em - F - G| 

You |C| use to be such a |Am| lion
Be-|Em| fore you got into all this |F| crying on my lap
|C| Back when you thought I'd |Em| never |F| get this |G| far

But did you |F| really think I'd |C| shut an opened |G| door
The future's |F| calling and Imma |C| answer |G| her
The wheels in |Am| motion, I never drank your |C| potion
And I know that breaks your |G| heart |F - Em|

|F| Open up your parachute, something's gotta stop the |G| free fall

------|C| I've been down the very |G| road you're |F| walking |C| now
------It doesn't have to be so |Em| dark and |F| lonesome
------|C| It takes a while till we can |G| figure |F| this thing |Em| out
------and turn it back a-|G| round

Final: |C - G - F --- C - Em - F - G| 

GENESIS: "SUPPER'S READY" (segunda parte)

Este segundo tramo está un semitono arriba respecto del original. Un poco más difícil el comienzo para que quede más fácil lo siguiente, que de otro modo sería intocable.

Intro: |C#maj7 - Bbm6| x 2

|C#maj7| Wandering in the chaos the |Bbm6| battle has left,
We |C#maj7| climb up the mountain of |Bbm6| human flesh,
To a |G#maj7| plateau of |Fm/D| green grass
and |G#maj7| green trees, full of |Fm/D| life.

A |C#maj7| young figure sits |Bbm6| still by her pool,
He’s been |C#maj7| stamped Human Bacon
by some |Bbm6| butchery tool,
He |G#maj7| is you. |Fm/D - G#maj7 - Fm/D|

|C#maj7| Social Security took |Bbm6| care of his lad.
We |C#maj7| watch in reverence, as Nar-|Bbm6| cissus is turned
to a |C7| flower.

......A flower!? |E - D - C - Bb|

If |Am| you go down to |C| Willow Farm |Em|
To look for |G| butterflies, |F#m7| flutterbyes, |B| gutterflies
|E| Open your |Am| eyes,
it’s |E| full of sur-|Am| prise,  
|E| everyone |Am| lies, like the |E| focks on the
|F| rocks |F/E - F/Eb| ... and the musical
|E| box |E/Eb - E/D|

......Oh, there’s |A7/11+| Mom and Dad, and |E| good and bad,
......and |F7| everyone’s happy to |E7| be here

......|E - D - C - Bb|

There’s |Am| Winston Churchill |C| dressed in drag,
He |Em| used to be a |G| British flag, |F#m7| plastic bag, |B| what a drag.
|E| The frog was a |Am| prince,
the |E| prince was a |Am| brick,
the |E| brick was an |Am| egg, the |E| egg was a
|F| bird (fly a-|F/E| way you sweet little
|F/Eb| thing, they’re hard on your tail)
Hadn’t |E| you heard? (they’re gonna  
|E/Eb| change you into a human |E/D| being!)

......Yes, we’re |A7/11+| happy as fish, and |E| gorgeous as geese,
......and |F7| wonderfully clean in the |E| morning.

......|E5+| We’ve |E| got
......|Am| everything, |Bb| we’re growing |Am| everything |Bb|
......We’ve got some |Am| in
......We’ve got some |Bb| out
......We’ve got some |Dm| wild things floating a-|A| bout.

......|Am| Everyone, |Bb| we’re changing |Am| everyone |Bb|
......You name them |Am| all,
......We have them |Bb| here
......And the |Dm| real stars are still to ap-|A| pear.

All change!!!

|A| Feel your body melt |A7|
Mum to mud to mad to |D| dad
|A| Dad diddley |D| office, |A| Dad diddley |E| office,
You’re all full of |A| ball.

Dad to |A7| dam to dum to |D| mum
|A| Mum diddley |D| washing, |A| Mum diddley |E| washing... Ooh!
You’re all full of |A| ball.

......Let me |Bm| hear your lies,
......we’re |A| living this |G| up to the |F#m| eyes.
......Ooee-ooee-|F#m7| ooee-|Dmaj7| oowaaaa 
......|Eb| Na... na na |Bb| na
......|Cm6| Momma, I want you |Am| now!

And |Am| as you listen |C| to my voice |Em|
To look for |G| hidden doors, |F#m7| tidy floors, |B| more applause,

|E| You’ve been here all the |Am| time,
|E| Like it or |Am| not,  
|E| like what you |Am| got, you’re |E| under
the |F| soil (the |F/E| soil, the |F/Eb| soil).
Yes deep in the |E| soil (the soil, the |E/Eb| soil, the soil, the |E/D| soil)

......So we’ll |A7/11+| end with a whistle and |E| end with a bang
......And |F7| all of us fit in our |E7| places.

|E - D - C - Bb - G#m|