domingo, 29 de abril de 2012
RUFUS WAINWRIGHT: "OUT OF THE GAME"
|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no
|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no
......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know what you’re doin’?
|E| You’re only a |Amaj7| child
|F#m| With the mind of a |D7| se-|B7| nile man
|E| You’re only a |Amaj7| young thing,
|F#m| ’Bout to sleep with a |B7| sea |D7| of men
|E| Just hangin’ a-|Amaj7| round,
|F#m| Wearin’ somethin’ from |D7| God |B7| knows where.
|E| Just havin’ a |Amaj7| ball
|F#m| Makin’ all of the |B7| thin |D7| cards fall
......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know what you’re doin’?
Solo: |E - Amaj7 - F#m - D7 - B7 --- E - Amaj7 - F#m - B7 - D7| x 2 - |E|
|E| Say, come over |Amaj7| here,
|F#m| Let me smell you for |D7| one |B7| last time
|E| Before you go |Amaj7| out there (out there)
|F#m| And ruin all of the |B7| world, |D7| once mine.
|E| I’m out of the |Amaj7| game
|F#m| I’ve been out for a |D7| long |B7| time now
|E| I’m lookin’ for |Amaj7| something
|F#m| That can’t be found on the |B7| main |D7| drag, no
......|B7| Look at you, look at you, look at you, look at you,
......|E| Suckers! Does your |E7| mama know what you’re doin’?
......|Am| Look at you, look at you, look at |Am/D| you, look at you,
......|D| Suckers! Does your |F| mama know... |F|
......What you’re doin’? |E|
sábado, 28 de abril de 2012
IMOGEN HEAP: "BAD BODY DOUBLE"
Para hamacarse con el fraseo.
|G| She pops |Bm| into the bathroom
|F| Just |Am| after a shower and
|G| She plays with my |Bm| makeup and creams
|F| Keeps |Am| trying to look like
|G| me... And goes through the |Bm| motions
Posing this |F| way and that |Am| holding it in
If it |G| makes you feel better |Bm|
Then knock your-|F| self out |C/E|
......And say |G| hi there to my |G/B| bad body double
......|F| This is my |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble
......|G| Oh, |G/B| she's troubl-|F| e |C/E|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |C/E| yeah yeah
|G| Some-|Bm| times I manage to lose her
|F| Shake her, at a |Am| bar in the gym for
|G| five minutes. It feels so |Bm| good to be back
to my old |F| self again, can |Am| get quite confusing
|G| We look very |Bm| similar except she's got
some |F| grays and a |Am| little extra weight on the
|G| sides and dimply |Bm| thighs
I hear that stuff's a |F| bitch to get rid of
|F| No no
......Not |G| now...
......We're having |G/B| quite an intimate |F| personal |C/E| moment
......Not |G| now...
......Could you |G/B| maybe come at a |F| slightly less |C/E| awful time
......Not |G| now...
......and she can |G/B| see I've got someone |F| quite nice |C/E| here with me
......Can't we just be |G| left alone? |G/B|
......I guess that's a |F| no then
......|F| Seeing as she's still |G| here
......|F| Seeing as she's still |G| here
......|F| Here
......It's not |G| me, no, it's my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble,
......|G| Aaaagh |G/B| Bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh dear, my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh, |G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah |G|
......|G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah, right there
|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |C/E|
|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |F|
......Say |G| hi there |G/B|
......To my |F| bad bad |C/E| bad bad body
......|G| double |G/B|
......She's |F| trouble |C/E|
......I can't |G| shake her |G/B|
......And I |F| hate her I'm hate her I'm a |C/E| hater I'm a hater
......I'm a |G| hater, she's |F| everywhere I go
I'm |G| gonna get |G/B| rid of you |F| once and for |C/E| all
Gonna |G| roll you |G/B| out on my pi-|F| lates |C/E| rubber ball
|G| Sweat and |G/B| step up the |F| pace and the |C/E| gradient
|G| Starting to-|G/B| morrow |F| I am your |C/E| nemesis |G|
|G| She pops |Bm| into the bathroom
|F| Just |Am| after a shower and
|G| She plays with my |Bm| makeup and creams
|F| Keeps |Am| trying to look like
|G| me... And goes through the |Bm| motions
Posing this |F| way and that |Am| holding it in
If it |G| makes you feel better |Bm|
Then knock your-|F| self out |C/E|
......And say |G| hi there to my |G/B| bad body double
......|F| This is my |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble
......|G| Oh, |G/B| she's troubl-|F| e |C/E|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |C/E| yeah yeah
|G| Some-|Bm| times I manage to lose her
|F| Shake her, at a |Am| bar in the gym for
|G| five minutes. It feels so |Bm| good to be back
to my old |F| self again, can |Am| get quite confusing
|G| We look very |Bm| similar except she's got
some |F| grays and a |Am| little extra weight on the
|G| sides and dimply |Bm| thighs
I hear that stuff's a |F| bitch to get rid of
|F| No no
......Not |G| now...
......We're having |G/B| quite an intimate |F| personal |C/E| moment
......Not |G| now...
......Could you |G/B| maybe come at a |F| slightly less |C/E| awful time
......Not |G| now...
......and she can |G/B| see I've got someone |F| quite nice |C/E| here with me
......Can't we just be |G| left alone? |G/B|
......I guess that's a |F| no then
......|F| Seeing as she's still |G| here
......|F| Seeing as she's still |G| here
......|F| Here
......It's not |G| me, no, it's my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| Mm mmm, I've got |C/E| bad body double trouble,
......|G| Aaaagh |G/B| Bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh no, my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh dear, my |G/B| bad body double
......|F| I got |C/E| bad body double trouble
......|G| Oh, |G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah |G|
......|G/B| she's troubl-|F| e |Am|
......She's troubl-|G| e, |G/B| she's trouble
......al-|F| right, |Am| yeah yeah, right there
|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |C/E|
|G| Can't shake her can't shake her can't shake her can't |F| shake her |C/E|
|G| Everywhere I go everywhere I go |F| go |F|
......Say |G| hi there |G/B|
......To my |F| bad bad |C/E| bad bad body
......|G| double |G/B|
......She's |F| trouble |C/E|
......I can't |G| shake her |G/B|
......And I |F| hate her I'm hate her I'm a |C/E| hater I'm a hater
......I'm a |G| hater, she's |F| everywhere I go
I'm |G| gonna get |G/B| rid of you |F| once and for |C/E| all
Gonna |G| roll you |G/B| out on my pi-|F| lates |C/E| rubber ball
|G| Sweat and |G/B| step up the |F| pace and the |C/E| gradient
|G| Starting to-|G/B| morrow |F| I am your |C/E| nemesis |G|
LIONEL RICHIE: "PARADISE"
Pedida también por Enrique Rubio.
Intro: |Em9 - Em9/Eb - Em9/D - Em/C#| x 2
|Em9| Let me tell you this |Em9/Eb|
Your |Em9/D| love I can't resist |Em/C#|
I just |Em9| start to fantasize |Em9/Eb|
Every time I |Em9/D| look into your eyes |Em/C#|
I want to |Am9| laugh and talk
And say the words you |Bm7| long to hear
I want to |Am9| fill you up with so much love
The |B7| real world will just disappear
......Let me |Em9| take you to a place I call |Em9/Eb| paradise
......|Em9/D| Hold you in my arms every |Em/C#| day and night
......|Am9| Tell you all the things that I |Bm7| really feel
......|Am9| Show you that my love is for |B7| real
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
|Em9| Let me be your guide |Em9/Eb|
On a |Em9/D| magic carpet ride |Em/C#|
To a |Em9| place where love is pure |Em9/Eb|
And our |Em9/D| passions can endure |Em/C#|
I want you to |Am9| close your eyes
And realize a |Bm7| world for two
I want you to |Am9| hear me whisper in your ear
I |B7| want to make love to you
......Let me |Em9| take you to a place I call |Em9/Eb| paradise
......|Em9/D| Hold you in my arms every |Em/C#| day and night
......|Am9| Tell you all the things that I |Bm7| really feel
......|Am9| Show you that my love is for |B7| real
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
......Take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
|Cmaj7| Do you want to go? Don’t you want to know?
About a |Bm7| real love |G7|
|Cmaj7| Give me just some time
You’ll like what you find, I |Bm7| know |G7|
|Cmaj7| It’s so plain to me, we were meant to be
I want to |Bm7| show you baby |G7|
We’ll |Cmaj7| unlock all of life's myste-|Bm7| ries
And |Bbmaj7| realize how great our love can |A7| really be |B9-|
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
.....Take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
Final: |Em9 - Em9/Eb - Em9/D - Em/C#| rep y desap.
|Em9| Let me tell you this |Em9/Eb|
Your |Em9/D| love I can't resist |Em/C#|
I just |Em9| start to fantasize |Em9/Eb|
Every time I |Em9/D| look into your eyes |Em/C#|
I want to |Am9| laugh and talk
And say the words you |Bm7| long to hear
I want to |Am9| fill you up with so much love
The |B7| real world will just disappear
......Let me |Em9| take you to a place I call |Em9/Eb| paradise
......|Em9/D| Hold you in my arms every |Em/C#| day and night
......|Am9| Tell you all the things that I |Bm7| really feel
......|Am9| Show you that my love is for |B7| real
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
|Em9| Let me be your guide |Em9/Eb|
On a |Em9/D| magic carpet ride |Em/C#|
To a |Em9| place where love is pure |Em9/Eb|
And our |Em9/D| passions can endure |Em/C#|
I want you to |Am9| close your eyes
And realize a |Bm7| world for two
I want you to |Am9| hear me whisper in your ear
I |B7| want to make love to you
......Let me |Em9| take you to a place I call |Em9/Eb| paradise
......|Em9/D| Hold you in my arms every |Em/C#| day and night
......|Am9| Tell you all the things that I |Bm7| really feel
......|Am9| Show you that my love is for |B7| real
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
......Take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
|Cmaj7| Do you want to go? Don’t you want to know?
About a |Bm7| real love |G7|
|Cmaj7| Give me just some time
You’ll like what you find, I |Bm7| know |G7|
|Cmaj7| It’s so plain to me, we were meant to be
I want to |Bm7| show you baby |G7|
We’ll |Cmaj7| unlock all of life's myste-|Bm7| ries
And |Bbmaj7| realize how great our love can |A7| really be |B9-|
......Let me take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
.....Take you to |Em9| paradise |Em9/Eb|
......Take you to |Em9/D| paradise |Em/C#|
Final: |Em9 - Em9/Eb - Em9/D - Em/C#| rep y desap.
sábado, 21 de abril de 2012
COCK ROBIN: "THE BIGGEST FOOL OF ALL"
Pedida por Marcelo Carpe. G9 es 3x0203 y D4/B x20233.
Intro: |D|
My ex-|G9| cuse is only human, like any |A| animal that breathes |A4 - A|
Just to |G9| find a scent that's soothing, I give you |A| power over me |A4 - A|
I'm more |G| weak than |Bm| strong
And not a |Em| stranger to a |G| fall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4 - D - D4/B|
......|G| But I'm the |A4| biggest fool of |D| all |D4/B - G - A4|
There's no |G9| path of least resistance, it's a |A| fable that you've heard |A4 - A|
Any |G9| love that lacks conviction is gonna |A| grovel in the dirt |A4 - A|
God this |G| road is |Bm| long
And sur-|Em| rounded by a |G| wall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4|
......|D - D4/B - G - A4|
............|A| Foolish as the prisoner
............That |Bm| listens for the |G/B| jangling |Bm| keys |G/B|
............|A| And |G| smart enough to know
............That it's |D/F#| crazy I should run
............When |G| you've got no claim on |A| me
So be-|G9| fore your panic taunts you to make re-|A| lations disappear |A4 - A|
You could |G9| help to ease my conscience, if just for |A| once by standing here |A4 - A|
I'm more |G| weak than |Bm| strong
And sur-|Em| rounded by a |G| wall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
|A| But I won't leave you 'til |G| I turn to find you
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4 - D - D4/B|
......|G| I'm the |A4| biggest fool of |D| all |D4/B - G - A4| (rep. y desaparece)
Intro: |D|
My ex-|G9| cuse is only human, like any |A| animal that breathes |A4 - A|
Just to |G9| find a scent that's soothing, I give you |A| power over me |A4 - A|
I'm more |G| weak than |Bm| strong
And not a |Em| stranger to a |G| fall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4 - D - D4/B|
......|G| But I'm the |A4| biggest fool of |D| all |D4/B - G - A4|
There's no |G9| path of least resistance, it's a |A| fable that you've heard |A4 - A|
Any |G9| love that lacks conviction is gonna |A| grovel in the dirt |A4 - A|
God this |G| road is |Bm| long
And sur-|Em| rounded by a |G| wall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4|
......|D - D4/B - G - A4|
............|A| Foolish as the prisoner
............That |Bm| listens for the |G/B| jangling |Bm| keys |G/B|
............|A| And |G| smart enough to know
............That it's |D/F#| crazy I should run
............When |G| you've got no claim on |A| me
So be-|G9| fore your panic taunts you to make re-|A| lations disappear |A4 - A|
You could |G9| help to ease my conscience, if just for |A| once by standing here |A4 - A|
I'm more |G| weak than |Bm| strong
And sur-|Em| rounded by a |G| wall |Bm7|
|A| But I won't leave you 'til |G| I turn to find you
|A| But I won't leave you 'til |G| I turn to find you
|A| But I won't leave you 'til |G| I turn to find you
......|D| gone |D4/B|
......|G| I'm the |A4| biggest fool of
......|D| all |D4/B - G - A4 - D - D4/B|
......|G| I'm the |A4| biggest fool of |D| all |D4/B - G - A4| (rep. y desaparece)
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