MADNESS: "HOUSE OF FUN"

Adim es, como nadie ignora, xx1212. Atención que todos los estribillos tienen alguna variación (es Madness, no los Cadillacs). Nunca la música "de joda" fue tan buena, creo.

Intro: |D - C| x 3  - B7 - Bb7

Good |D| morning miss - Can I |C| help you son?
Six-|D| teen today, and |C| up for fun
I'm a |F7| big boy now or so they say
So |E7| if you'll serve I'll be on my way 

Inter: |D - C|

Box |D| of balloons, with the |C| feather-light touch
Pack of |D| party-poppers, that pop |C| in the night
A |F7| toothbrush and hairspray, plastic grin
Miss |E7| Clay on all corners has just walked in

......|Em| Welcome to the |C7| House of |Em| Fun, now I've |B7| come of age
......|Em| Welcome to the |C7| House of |Em| Fun |B7|
....|F#m| Welcome to the |D7| lion's |F#m| den, temptation's |C#7| on his way
......|Em| Welcome to the |C7| House |B7| of 

Inter: |D - C| x 2

N-n-n-n-n-n-|D| no no miss, you mis-|C| understood
Six-|D| teen big boy, full pint |C| in my manhood
I'm |F7| up to date, and the date's today
So |E7| if you'll serve I'll be on my way

......|F#m| Welcome to the |D7| House of |F#m| Fun, now I've |C#7| come of age
......|F#m| Welcome to the |D7| lion's |F#m| den, temptation's |C#7| on his way
........|Em| Welcome to the |C7| House |B7| of

Instr: |D - C| x 2  - B7 - Bb7

............|A| I'm sorry son, but |Adim| we don't stock
............|A| Party gimmicks, |F#m| in this shop
............|Bm| Try the House of Fun, it's |G| quicker if you run
............This is a chemist's, not a |A7| joke shop!

|D| Party hats, simple |C| enough clear
Compre-|D hende savvy understand, |C| you hear?
A pack of |D| party hats with the |C| coloured tips
|D| Too late! Gorgon |C| heard gossip
Well |F7| hello Joe, hello Miss Clay
Many |E7| happy returns from the day

......|Em| Welcome to the |C7| House of |Em| Fun, now I've |B7| come of age
......|Em| Welcome to the |C7| House of |Em| Fun |B7|
....|F#m| Welcome to the |D7| lion's |F#m| den, temptation's |C#7| on his way
....|F#m| Welcome to the |D7| House of |F#m| Fun

......|Em| Welcome to the |C7| House of |Em| Fun, now I've |B7| come of age
......|Em| Welcome to the |C7| House of |Em| Fun |B7|
....|F#m| Welcome to the |D7| lion's |F#m| den, temptation's |C#7| on his way
......|Em| Welcome to the |C7| House |B7| of |Em| Fun

GENESIS: "SQUONK"

Muy linda, bastante fácil de tocar (no tiene posiciones enemigas) y en su tono original (cantable una octava más baja, eso sí). Dibujé todos los acordes (menos los de la parte del Fa mayor, que se toca con los usuales), porque hay varios del mismo nombre pero en distintas posiciones según la ocasión. El instrumental del medio con todos los acordes con bajo en D es una joya. 

Intro: |Dm - C/D| x 4 - |Em/A  -  A6  -  Em9/A  -  A|  

|Dm| Like father like |C/D| son, not |Dm| flesh nor fish nor bone
A |C/D| red rag hangs from an open mouth.

A-|Dm| live at both ends but a little |C/D| dead in the middle,
A-|Dm| tumbling and a-bumbling he |C/D*| will go.

...|Em/A| All the King's horses and |A6| all the King's men
...Could |Em9/A| never put a smile on that |A| face.

He's a |Dm| sly one, he's a shy one, wouldn't |C/D| you be too

|Dm| scared to be left all on his |C/D| own.
|Dm| Hasn't a, hasn't a friend to |C/D| play with, the Ugly Duckling
The |Dm| pressure on, the bubble will burst be-|C/D*| fore our eyes.

...|Em/A| All the while in |A6| perfect time

...His tears are |Em9/A| falling on the ground
...But if you |A| don't stand up you don't stand a chance.

Instr: |D*  -  E/D  -  C/D**  -  D*  -  G/D*  ---  D*  -  A/D  -  G/D| x 2 (Tab) - |Gm/D|

......|C/D| Go a little |Dm| faster now
......You |Bb/D| might get there in |C/D*| time. |Gm/D  -  Dm*|

............|F| Mirror |Am7| mirror on the |Dm| wall,
............His |Cm7| heart was broken long before he |Bb| ever came to |F| you.
............Stop your |Am7| tears from |Dm| falling,
............The |Cm7| trail they leave is very clear for |Bb| all to see at |F| night
............all to |Am7| see at...

Instr: |D*  -  E/D  -  C/D**  -  D*  -  G/D*  ---  D*  -  A/D  -  G/D| x 2 (Tab.)
          ... night.

|Dm| In season, out of |C/D| season
What's the |Dm| difference when you don't know the |C/D| reason.
In |Dm| one hand bread, the other a |C/D| stone.
|Dm| The hunter enters the |C/D*| forest.

...|Em/A| All are not huntsmen who |A6| blow the huntsman's horn
...By the look of |Em9/A| this one you've got not much to |A| fear.

|Dm| Here I am, I'm very fierce and |C/D| frightening
|Dm| Come to match my skill to |C/D| yours.
Now |Dm| listen here, listen to me, don't you |C/D| run away now
I |Dm| am a friend, I'd really like to |C/D*| play with you.

...Making |Em/A| noises my little furry |A6| friend would make
...I'll |Em9/A| trick him, then I'll kick him into my |A| sack.
...You better watch out... You better watch...

Instr: |D*  -  E/D  -  C/D**  -  D* -  G/D*  ---  D*  -  A/D  -  G/D| x 2 (Tab.) - |Gm/D|
          ... out.

......|C/D| I've got you, I've |Dm| got you
......you'll |Bb/D| never get a-|C/D*| way. |Gm/D  -  Dm*|

............|F| Walking |Am7| home that |Dm| night
............The |Cm7| sack across my back, the sound of |Bb| sobbing on my  
............|F| shoulder... When |Am7| suddenly it |Dm| stopped,
............I opened |Cm7| up the sack, all that I had, a |Bb| pool of bubbles
............and |F| tears, just a |Am7| pool of...

Instr: |D*  -  E/D  -  C/D**  -  D*  -  G/D*  ---  D*  -  A/D  -  G/D| x 2 (Tab.) - |A/D|
          ... tears.

............|B7-11| All in all you are a |F#m| very dying race
............|A| Placing trust upon a |E| cruel world.
............You never had the |B7-11| things you thought you should have had
............And |F#m| you'll not get them now,
............And all the |A| while in perfect time
............Your tears are |E| falling on the |B| ground. |E|

R.E.M.: "FIND THE RIVER"

Del imperecedero "Automatic for the people", en su tono original. D4/E es xx2032 y Dm/F, xx3231.

Intro: |D - D4/E| x 2 - |D - Dm/F - Em7 - G6   ---   D - Dm/F - A7sus4| 


|D| Hey now little |Dm/F| speedy head, 

the |Em7| read on the speed-|G6| meter says

you |D| have to go the |Dm/F| task in the |A7sus4| city

Where |D| people drown and |Dm/F| people serve,  

|Em7| don't be shy, your |G6| just deserve 

is |D| only just |Dm/F| light years to |A7sus4| go.

......|G| Me, my thoughts are |A| flower strewn, |D| ocean storm, bay-|Em| berry moon.
......|G| I have got to |A| leave to find my |D| way |D7|

......|G| Watch the road and |A| memorize, this |D| life that pass be-|Em| fore my eyes,
......|G| nothing is |A| going my way 

Inter: |D - Dm/F - Em7 - G6   ---   D - Dm/F - A7sus4|

The |D| ocean is the |Dm/F| rivers goal, 

a |Em7| need to leave the |G6| water knows.
We're |D| closer now than |Dm/F| light years to |A7sus4| go.

......|G| I have got to |A| find the river, |D| bergamot and |Em| vetiver
......|G| Run through my |A| head and fall a-|D| way. |D7|

......|G| Leave the road and |A| memorize, this |D| life that pass be-|Em| fore my eyes,
......|G| nothing is |A| going my way. 


Inter: |D - D4/E| x 2

There's |D| no one left to |Dm/F| take the lead, 

but |Em7| I tell you and |G6| you can see
We're |D| closer now and |Dm/F| light years to |A7sus4| go

|D| Pick up here and |Dm/F| chase the ride. 

The |Em7| river empties |G6| to the tide;
|D| Fall into the |Dm/F| ocean. |A7sus4|

......The |G| river to the |A| ocean goes, a |D| fortune for the |Em| undertow.
......|G| None of this is |A| going my |D| way. |D7|

......|G| There is nothing |A| left to throw of |D| ginger, lemon, |Em| indigo,
......|G| Coriander |A| stem and rose of |D| hay. |D7|

......|G| Strength and courage |A| overrides these |D| privileged and |Em| weary eyes

......|G| River poet |A| search naive-|D| te. |D7|

......|G| Pick up here and |A| chase the ride, the |D| river empties |Em| to the tide.  

......|G| All of this is |A| coming your |D| way.

10 CC: "DONT HANG UP"

Una locura, pero había que sacarla. Nadie la conoce, a nadie le importa, tal vez nunca nadie la busque ni la encuentre; y encima, como si todo eso fuera poco, es complicadísima de tocar. Pero acá está. Con todas sus deliciosas vueltas y recovecos, en su tono original.

Intro: |A7+   A6| x 2 - |F#m9 - F#m| x 2  - |F#m - F#m7 - F#m6 - F#m| 

He- |A7+| llo |A6| there, |A7+| how have you |A6| been

I've |D+7| called a million |D6| times, but to |D7+| me you're never |D6| in

I |E| know I never |E6| had the style or |D7+| dash of Errol |D6| Flynn
But I |A7+| loved you |A6| 

Inter: |F#m9 - F#m|  - |F#m - F#m7 - F#m6 - F#m| 

I'm |A7+| doing really |A6| well, I'm as |A7+| happy as a |A6| lark

I |D7+| got a new a-|D6| partment, it's as |D7+| safe as Central |D6| Park

And |E| if they ever |E6| mug me when I'm |D7+| walking in the |D6| dark

Will you |A7+| know |A6| 

Inter: |F#m9 - F#m| - |F#m - F#m7 - F#m6 - F#m| 

......|B| Don't |Bb7| hang |Ebm| up... |Ebm| 
......|B| Don't |Bb7| hang |Ebm| up... |Ebm| 

|B| Rolled up in my |Bb7| camera, with the |B| big cheese up a- |Bb7| bove

I |B| stumbled from my |Bb7| stag night to a |B| never ending |Bb7| limousine  

The band went |Bb7| la di da di da, and I got loady do di dodied

|F| Lousy vio- |F7| lins began to |F6| pla-|F|-ay

I went |Bb7| no, no, no, and as the vol-au-vents exploded

I was |F| walking down the |F7| aisle the other |F6| wa-|F|-ay

......|B| Don't |Bb7| hang |Ebm| up... |Ebm|
......|B| Don't |Bb7| hang |Ebm| up... |Ebm|
......|B| Don't |Bb7| say |B7| oooooh
......|B7| Nobody's safe in |F#| our house |F#m - F#| x 4

............|Cm7| Leave me a-|F7| lone 

............But but but but a please, |Cm7| leave me a-|F7| lone 

............But just a mo, a minute, |Cm7| I'm so a-|F7| lone 

......We had |G| some honeymoon on |C| it-|G| chy |G| bed-|F| ding
......|G| Scum buzzing round your |C| bu-|G| sy |G| bo-|F| dy
......|G| Dumb waiters waiting |C| sweat-|G| ling |G| strai-|F| ning
......|F| All mass-debating my woman
......We got a |G| bum Guatemala |C| pen-|G| si-|G| o-|F| ne
......|G| Crumbling about our |C| e-|G| ars, |G| o-|F| le
......|G| Even the trash man |C| he |G| say

You got a |Bb7| dustbin romance, it's going down the drain
You got a |F#7| low impedence, she's got a |F#m7| rocky te-|G#m7| rrain


Instr: |E - Am - E - C#dim - E - C#dim - A - B7| - |E - C#dim - E - C#dim - A - B7 - B7|

......|Bb7| Ooooh, you got a lot to |Fm7/Bb| learn

......|Bb7| Ooooh, you got a lot to |Fm7/Bb| learn

......A |F#m| lot to learn about |B7| women, 
......you |F#m| got to learn about |B7| women, women
......|F#m| What's to learn about |B7| women
......We've |Gsus4| both a got a |G| lot to |G| learn

Sur-|Bb6/C| prise, sur-|C| prise, there's a |Bb6/C| hell of a well in your |C| eyes
Have we |Bb6/C| won the no Nobel |C| prize
Has the |Bb6/C| colour run out of our |C/Bb| dies |Am7 - C/G - C/F| 

Sur-|Bb6/C| prise, sur-|C| prise, there's a |Bb6/C| hell of a well in your |C| eyes
When the |Bb6/C| barman said "what you're |C| drinking?"
I said |Bb| marriage |Bb/A - Bb/G - Bb/F| on the ... 

......... |F#m9| rocks |F#m - F#m9 - F#m| - |D7+/B - D6/B| x 2 

......I |E| know I never |E6| had the style or |D7+| dash of Errol |D6| Flynn

......But I |A7+| loved you |A6| 

Inter: |F#m9 - F#m| - |F#m - F#m7 - F#m6 - F#m| 

......|B| Don't |Bb7| hang |Ebm| up... |Ebm|
......|B| Don't |Bb7| say. 

TRAVIS: "LUV"

Original en D. Parece un quilombo, pero en realidad es bastante sencillo, son los acordes de siempre cambiando la nota do por si (en C - F - Dm7 y Am) y la nota fa por mi (en G7-G6), haciendo la misma melodía que canta Healy. F5b es x33201. Se puede escuchar acá. 


|C| What's so |Cmaj7| wrong, why the |C| face so |Cmaj7| long, 
is it |F| over? |F5b - F - F5b|
 And |Dm7| where you |Dm6| going that
|Dm7| you no |Dm6| longer be-|G7| long here? |G6 - G7 - G6|
 
And |C| distance |Cmaj7| tells you that |C| distance |Cmaj7| must come 
be-|Am| tween love |Asus2 - Am - Asus2|
Where have you |F| been, Luv? |F5b - F - F5b|
When the |G7| mistake we |G6| made was in |G7| never having |G6| planned 
to fall in |C| love, Luv |Cmaj7 - C - Cmaj7|
 
......|E| Singing this song, singing along
......Makes it |Am| easier for me to see you go
......But |Dm| in doing so, I'm letting you go
......It only |G| serves to show me, that I'm still in love with you

Inter: |C - Cmaj7| x 2 - |F - F5b| x 2 - |Dm7 - Dm6| x 2 - |G7 - G6| x 2

......|E| Singing this song, singing along
......Makes it |Am| easier for me to see you go
......But |Dm| in doing so, I'm letting you go
......It only |G| serves to show me that I'm still in love with you

So |C| what's so |Cmaj7| wrong, why the |C| face so |Cmaj7| long
Are you |F| changing? |F5b - F - F5b|
And |Dm7| where you |Dm6| been to 

that |Dm7| you no |Dm6| longer re- |G7| member? |G6 - G7 - G6|
 

And |C| distance |Cmaj7| tells you that |C| distance |Cmaj7| must come 

be-|Am| tween love |Asus2 - Am - Asus2|

Where have you |F| been, Luv? |F5b - F - F5b|
When the |G7| mistake we |G6| made was in |G7| never having |G6| planned 

to fall in |C| love, Luv |Cmaj7 - C - Cmaj7| 

......It's just the |G7| chance we |G6| took having |G7| never ever |G6| planned 
......to fall in |C| love, Luv |Cmaj7 - C - Cmaj7| 
......It's just the |G| chance we took having never ever planned
......to fall in |F| love, |G| Luv |C|