ELLIOTT SMITH: "ALAMEDA"

El original creo que era en A.



|G| You walk down alameda, |F#7| shuffling your 
deck of trick |Em| cards over every-|Cmaj7| one
Like some |G| precious only |F#7| son
|Em| Face down, bow to the champi-|Cmaj7| on

|G| You walk down alameda, |F#7| looking at the
cracks in the side-|Em| walk, thinking about your |Cmaj7| friends
How you |G| maintain all them |F#7| in
|Em| a constant state of sus-|Cmaj7| pense

For your |Am| own pro-|B7| tection
|Em| over |G| their affection

......|Bb| Nobody broke your |Dm| heart,
......you |Gm| broke your |C7| own 'cos you can't
......|F| finish what you |G| start

You walk down alameda, |F#7| brushing off the
nightmares you |Em| wish, could plague me when I'm a-|Cmaj7| wake
So now you |G| see your first mis-|F#7| take
|Em| was thinking that you could re-|Cmaj7| late

For |G| one or |C| two... |C| minutes she liked |D| you |Em|
But |G| the |D| fix |C| is

Instr: |G - F#7 - Em - Cmaj7|
............in...

You're |Am| all pre-|B7| tension
|Em| I never |G| pay attention

......|Bb| Nobody broke your |Dm| heart,
......you |Gm| broke your |C7| own 'cos you can't
......|F| finish what you |G| start

......|Bb| Nobody broke your |Dm| heart,
......you |Gm| broke your |C7| own 'cos you can't
......|F| finish what you |G| start

......|Bb| Nobody broke your |Dm| heart,
......if |Gm| you're a-|C7| lone it must be
......|F| you that wants to be a-|G| part

Final: |Bb - Dm - Gm - C7 - F - G ---- Bb|

FUN.: SOME NIGHTS (INTRO)

Para guapos del canto.



There are |C| some nights I hold on to every note I ever wrote
|Dm| Some nights, I say "fuck it all" and stare at the calendar
|Em| Waiting for catastrophes, imagine when they scare me
Into |F| changing whatever it is I am changing into |G5 - G6 - G7|

(And you have every right to be scared).

Cos there are |C| some nights I hold you close, pushing you to hold me
Or |Dm| begging you to lock me up, never let me see the world
Some |Em| nights, I live in horror of people on the radio
|F| Tea parties and Twitter, I've never been so bitter

......And |C| you-|G|-u-|C|-u, why you wanna |Dm| stay?
......Oh my God! Have you listened to me |Dm| lately?
......Lately, I've been going |G| crazy...

......And |C| you-|G|-u-|C|-u, why you wanna |Dm| stay?
......Oh my God! Have you listened to me |Dm| lately?
......Lately, I've been fucking |G| crazy...

There are |C| some nights I wait for someone to save us
But I |Dm| never look inward, try not to look upward
And |Em| some nights I pray a sign is gonna come to me
But |Am| u-|G| sual-|F| ly, I'm just trying to get some |C| sleep...

|G| Some |C| nights!

RICARDO IORIO: "JUSTO QUE TE VAS"

Pedido por Martín Meza.



Intro: |F#m - E - Bm - D --- F#m - E - D| x 3

|A| Justo que te vas, |E| llega esta canción
|Bm| como un adiós de re-|F#m| mate,
|A| Sueño que la guardes |E| en tu corazón
|Bm| como en el mío |F#m| yo te guardo a vos.

......Recor-|D| dalo, |A| no olvides
......|E| te estaré esperando |Bm| me convides,
......|D| poder llegarme |A| hasta donde estés,
......para |E| darte todo lo que nunca te negué, ni he de ne-

Inter: |F#m - E - Bm - D --- F#m - E - D| x 2
..........garte.

|A| No te pongas triste quiero |E| verte sonreir
a-|Bm| nunciaron tu embarque, el a-|F#m| vión ha de partir
|A| No me digas nada, |E| la vida es corta,
|Bm| Cuando ser feliz |F#m| es lo que importa.

......Recor-|D| dalo, |A| no olvides
......|E| te estaré esperando |Bm| me convides,
......|D| poder llegarme |A| hasta donde estés,
......para |E| darte todo lo que nunca te negué, ni he de ne-

Inter: |F#m - E - Bm - D --- F#m - E - D| x 2
..........garte

............|C| Justo que te vas, llega es-|D| ta canción
............|C| como un adiós de re-|D| mate
............|C| Sueño que la guardes |D| en tu corazón
............|C| como en el mío |D| yo te guardo a |E| vos

......|A| Recordalo, |E| no olvides
......|Bm| te estaré esperando |F#m| me convides,
......|A| poder llegarme |E| hasta donde estés,
......para |Bm| darte todo lo que |F#m| nunca te negué

......Recor-|D| dalo, |A| no olvides
......|E| te estaré esperando |Bm| me convides,
......|D| poder llegarme |A| hasta donde estés,
......para |E| darte todo lo que nunca te negué, ni he de ne-

Final: |F#m - E - Bm - D --- F#m - E - D| x 4
..........garte

ELECTRIC LIGHT ORCHESTRA: "NOBODY'S CHILD"

Pedida por Chiquilín. Fm/D es xx0111 y Am/F# se puede hacer en x04555.




Intro: |Am - Fm/D| x 4 --- |C - Am - Dm - E7| 
Intro: (Painted lady, painted lady...) 

Painted |Am| lady, stop that |Fm/D| closin' in on me
Painted |Am| lady, you're sup-|Fm/D| posed to be a dream
Painted |Am| lady, |Fm/D| ... you better stay away from
|C| me |Am - Dm - E7| 

Painted |Am| lady, why you |Fm/D| loosinin' my tie
Painted |Am| lady, what's that |Fm/D| twinkle in your eye
Painted |Am| lady, |Fm/D| ...you better stay away from
|C| me |Am - Dm - E7| 

Painted |Am| lady, with your |Fm/D| jewels and your beads
Painted |Am| lady, don't you |Fm/D| do these dirty deeds
Painted |Am| lady, |Fm/D| ...you better stay here with
|C| me |Am - Dm - E7| - |G#|

Instr: |C#m - Am/F#| x 3 - |E - C#m - Am/F# - G#7|

|C#m| Nobody's child |Am/F#| 'til I saw
the |C#m| light of your smile, |Am/F#| painted lady,
|C#m| Nobody's child |Am/F#|
You have set me |E| free |C#m - Am/F# - G#7|

|C#m| Nobody's child, you came in
and |C#m| stayed for a while, |Am/F#| painted lady,
|C#m| Nobody's child |Am/F#|
You have set me |E| free |C#m - Am/F# - G#7|

Final: |C#m - Am/F#| x 3 - |E - C#m - Am/F# - G#7| - |C#m

JEFF LYNNE: "SHE"

Versión del original de Aznavour y no sé quién otro, de 1974, también famosamente cubierta por Elvis Costello hace un tiempo. El tío Jeff, por supuesto, le pasa el trapo a todos a pura calidez. El original está en C, tocar con capo en 3. Ebdim es xx1212, Bbdim xx2323 y Dm6 xx0201.



Intro: |A - D - E4 - E| 

|A| She... may be the face I can't for-|Ebdim| get
The trace of pleasure or re-|D| gret
May be my treasure or the |A| price I have to |Bbdim| pay

|Bm| She... may be the song that summer |Dm6| sings
May be the chill that autumn |A| brings
May be a hundred different |D| things
Within the |E4 - E| measure of a |A| day |D - E4 - E|

|A| She... may be the beauty or the |Ebdim| beast
May be the famine or the |D| feast
May turn each day into a |A| heaven or a |Bbdim| hell

|Bm| She may be the mirror of my |Dm6| dreams
The smile reflected in a |A| stream
She may not be what she may |B7| seem
In-|E4| side |E| her |A| shell... |A|

......|F| She... who always seems so happy 
......|C| in... a crowd whose eyes are private and 
......|Bb| so proud... No one's allowed to see them 
......|A7| when they cry...

......|Dm| She... may be the |G7| love that cannot hope to 
......|C| last... may come to |F| me from shadows of the |B7| past
......That I'll remember till the day I |E| die

|A| She... may be the reason I sur-|Ebdim| vive
The why and wherefore I'm a-|D| live
The one I'll care for through the |A| rough and rainy |Bbdim| years

|Bm| Me... I'll take her laughter and her |Dm6| tears
And make them all my souve-|A| nirs
For where she goes I've got to |B7| be
The meaning |E4| of my |E| life is
|D| She
|A| She |Bm - D/F#|  
|A| She

GENESIS: "ENTANGLED"

Bajada un tono, tocar con capo en 2. No amedrentarse por la nomenclatura, es todo bastante facilongo. Por supuesto la cortamos allá en la última frase cantada, dejando afuera el instrumental final.

Intro: |C - C9| x 2 - |Am - A7sus2| x 4

|Am| When you're as-|A7sus2| leep they may |Am| show |A7sus2| you
|Am| Aerial |A7sus2| views of the |Am| ground |A7sus2|
|Am| Freudian |A7sus2| slumber empty
of |F| sound |D4 - D| 

Inter: |A7sus4 - A7sus2 - Am - A7sus2|

|Am| Over the |A7sus2| rooftops and |Am| hou-|A7sus2| ses
|Am| Lost as it |A7sus2| tries to be |Am| seen |A7sus2|
|Am| Fields of in-|A7sus2| centive covered
with |F| green |D4 - D| 

Inter: |F#m7/11 - F#7/4/9| x 4

|F#m7/11| Mesmerised |F#7/4/9| children are |F#m7/11| play-|F#7/4/9| ing
|F#m7/11| Meant to be |F#7/4/9| seem but not |F#m7/11| heard |F#7/4/9| 
|F#m7/11| Stop me from |F#7/4/9| dreaming,
don't be ab-|D2| surd |Bb11+|

Inter: |C - C9| x 2

......|C| Well... |Am| if we can help you we |C| will
......|Am| You're looking tired and |C| ill
......|Dm| As I count |Bb| backwards 
......your |Dm| eyes become |A7| heavier |G| still |D| 

......|C| Sleep... |Am| won't your allow yourself |C| fall
......|Am| Nothing can hurt you at |C| all
......|Dm| With your con-|Bb| sent
......I can |Dm| experi-|A7| ment further |G| still |D| 

Inter: |C - C9| x 2 - |Am - A7sus2| x 2

|Am| Madrigal |A7sus2| music is |Am| play-|A7sus2| ing
|Am| Voices can |A7sus2| faintly be |Am| heard |A7sus2|
|Am| Please leave this |A7sus2| patient 
undis-|F| turbed |D4 - D| 

Inter: |F#m7/11 - F#7/4/9| x 2

|F#m7/11| Sentenced to |F#7/4/9| drift far a-|F#m7/11| way |F#7/4/9| now
|F#m7/11| Nothing is |F#7/4/9| quite what it |F#m7/11| seems |F#7/4/9| 
|F#m7/11| Sometimes en-|F#7/4/9| tangled in your own
|D2| dreams |Bb11+|

Inter: |C - C9| x 2

......|C| Well... |Am| if we can help you we |C| will
......|Am| Soon as you're tired and |C| ill
......|Dm| With your con-|Bb| sent
......I can |Dm| experi-|A7| ment further |G| still |D|

......|C| Well... |Am| thanks to our kindness and |C| skill
......|Am| You'll have no trouble un-|C| til
......|Dm| You catch your |Bb| breath

......And the |Dm| nurse will pre-|A7| sent you the |G| bill |D|