sábado, 27 de marzo de 2010

PAPAS FRITAS: "PEOPLE SAY"

Casi nada se encuentra en la red de los efímeros y brillantes papas. Trataremos de enmendar eso. Se escuchá acá.

El tono original es Eb. 

C en este caso es 032013; G4: 320013; F9: x03213 (fundamental que en los tres acordes suenen siempre las notas do y sol en segunda y primera cuerda), Bb7/9: x13111; Fmaj7: x33210


Intro: |C - G4 - F9 - C| x 2

|C| People say she's |G4| crazy, |F9| but they don't ask |C| why
|C| People think she's |G4| tired |F9| when they see her |G4| eyes
|C| How can I be- |G4| lieve them |Dm7| when they don't ask |G4| why
|C| How can I be- |G4| lieve them, |Dm7| they don't even |G4| try

......|Bb7/9| All of the |C| love and the laughter
......|F| That she |Fm| holds in- |C| side
......|Bb7/9| I know the |C| secret she's after
......|Dm7| It got left be- |G| hind

|C| People say she's |G4| angry, |F9| they don't unders- |C| tand
|C| Everything just |G4| fell apart and |F9| crumbled in her |G4| hands
|C| Now she's just a |G4| stranger |Dm7| biding her own |G4| time
|C| Faces wouldn't |G4| change her |Dm7| even when they |G4| tried

Inter: |Fmaj7 - Am - Fmaj7 - G - Am - Bb|

..........Even |F| lonely |Fm| stars will...

Instr: |C - G4 - F9 - C| - |C - G4 - F9 - G4| 
.........shine.

|C| People say she's |G4| broken |F9| but they look a- |C| way
|C| They don't know she's |G4| workin' |F9| harder every |G4| day
|C| I will never |G4| reach her |Dm7| we just grew a- |G4| part
|C| She will just de- |G4| ceive them, |Dm7| soon she'll be a |G4| star

......|Bb7/9| All of the |C| love and the laughter
......|F| That she |Fm| holds in- |C| side
......|Bb7/9| I know the |C| secret she's after
......|Dm7| It got left be- |G| hind

......|Bb7/9| All of the |C| love and the laughter
......|F| That she |Fm| holds in- |C| side
......|Bb7/9| I know the |C| secret she's after
......|Dm7| It got left be- |G| hind 

Inter: |Fmaj7 - Am - Fmaj7 - G - Am - Bb|
.........la la la la ...

.......Even |F| sadder |Fm| stars will... |C| shine.

viernes, 26 de marzo de 2010

PINBACK, "FORTRESS"

¿No conocen Pinback? Pero qué vergüenza. F9 es xx3213



Intro: |D - Am| x 2

|D| Too long til fall, sick |Am| summer in bed
|D| You and a lazy |Am| mood
|D| Ten times the fall, spread, |Am| sacked, and I've failed
|D| Nobody move, |Am| nobody move

Inter: |D - Am| x 2

|D| To long to fall, sat |Am| shiver in bed
|D| You and a test of |Am| will
|D| Too many fallen, |Am| too many failed
|D| Nobody move, |Am| nobody move

......|D| Days |Am| with the |D| light off, |Am| freezing
......|D| You and |Am| I, un- |D| easy, |Am| livid

............|D| Stop, it's too |F9| late, I'm feeling frustrated
............|Bb| I see no sign of fortress |G| I see no sign of fortress
............|D| Stop, it's too |F9| late, I'm feeling frustrated
............|Bb| I see no sign of fortress |G| I see no sign of fortress 
|-|

|D| Safe as a cootie |Am| wootie with you
|D| Never pretend the |Am| chill
|D| Too many shadows, |Am| too many sails
|D| Nobody move, |Am| nobody move 

Inter: |D - Am| x 2 

|D| Summer is only |Am| winter with you
|D| How can you really |Am| feel?
|D| Two of another, |Am| none of a pair
|D| Nobody move, |Am| nobody move

......|D| Days |Am| with the |D| light off, |Am| freezing
......|D| You and |Am| I, un- |D| easy, |Am| livid

............|D| Stop, it's too |F9| late, I'm feeling frustrated
............|Bb| I see no sign of fortress |G| I see no sign of fortress
............|D| Stop, it's too |F9| late, I'm feeling frustrated
............|Bb| I see no sign of fortress |G| I see no sign of fortress
............|D| Stop, it's too |F9| late, I'm feeling frustrated
............|Bb| I see no sign of fortress |G| I see no sign of fortress  

............|D| Another delay, |F9| too many hassles
............|Bb| Where do we go, |G| how do we follow? 
............|D| Another delay, |F9| too many hassles
............|Bb| Where do we go, |G| how do we follow?  

Final: |D - F9 - Bb - G| x 2 - |D|

sábado, 20 de marzo de 2010

JASON FALKNER: "THE LIE IN ME"

Una nueva, realmente impresionante. Cinco partes distintas, y complejas y bellas progresiones de acordes que son un placer de tocar. Otros tipos con todo esto hacen un disco entero.

Fdim: xx0101 --- Gdim: xx2323 --- Am6: x02212



Intro: |E - Fdim - F#m - Gdim - E - G# - A - Am6 - G#m - Gdim - F#m - C - B7 - E|

|E| I can |C#m| not be- |G#m| lieve 
that I could |F#m| ever really |B7| make you want to |E| leave
Of |E| all the |C#m| things I've |G#m| said, 
why is it the |F#m| ugly words that |B7| stick inside your |E| head

......And I was so |Amaj7| wrong so |B7| many |E| times
......Yes, I stand |Amaj7| acused of |B7| some love |E| crimes
......Now I need to |A| talk with |B7| you
......And |C#m| tell the |G#7| truth some- |F#m| how, right |C| now |B7|

............|E| And I |Fdim| know |F#m| if it's time to |Gdim| go
............|E| I have |G#| kept what I |A| need
............|Am6| To my- |G#m| self, and |Gdim| no one  
............|F#m| else can see the |C| lie |B7| in |E| me 

So |E| tell me |C#m| tell me |G#m| please
Why is it you’re |F#m| happiest when |B7| I am on my |E| knees
'Cos |E| I was |C#m| desperate- |G#m| ly
in need of some- |F#m| one who sees the |B7| forest through the |E| trees

......And I was so |Amaj7| wrong so |B7| many |E| times
......Yes, I stand |Amaj7| acused of |B7| some love |E| crimes
......Now I need to |A| talk with |B7| you
......And |C#m| tell the |G#7| truth some- |F#m| how, right |C| now |B7|

............|E| And I |Fdim| know |F#m| if it's time to |Gdim| go
............|E/B| I have |G#| kept what I |A| need
............|Am6| To my- |G#m| self, and |Gdim| no one  
............|F#m| else can see the |C| lie |B7| in |E| me 

..................|C#m| I am |G#m| one man |Bm - F#m|
..................|C#m| with emp- |G#m| ty hands  |Bm - F#m|
..................|C#m| I am |G#m| one man |Bm| with emp- |F#m| ty hands
..................|A| But... all I |Am| have, I give to

Instr: |E| you |C#m - G#m - F#m - B7 - E| 
..........I give to |E| you |C#m - G#m - F#m - B7 - E| 

..........But I forgot my |Amaj7| words and |B7| melo- |E| dy
..........and I could not |Amaj7| hear the |B7| frequen- |E| cy
..........But listen when I |A| seem removed
..........|B7| well it's |C#m| just to |D| prove that I'm |A| here
..........and I won't dissap-|B7| pear, yeah 

Instr: |E - Fdim - F#m - Gdim - E - G# - A - Am6 - G#m - Gdim - F#m - C - B7 - E| 

..........|E| And I |Fdim| know |F#m| if it's time to |Gdim| go

..........|E| I have |G#| kept all I |A| need
..........|Am6| To my- |G#m| self, and |Gdim| no one  
..........|F#m| else can see the |C| lie |B7| in |E| me 

..........|E| Yes I |Fdim| know |F#m| if it's time to |Gdim| go
..........|E| I have |G#| kept what I |A| need
..........|Am6| To my- |G#m| self, and |Gdim| no one  
..........|F#m| else can see the... |C - B7 - E|